Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 217
... object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free play of the imagination . Subject ...
... object is represented as free from all utilitarian relations and properties , as freely being itself . Aesthetic experience , which releases the object into its " free " being , is the work of the free play of the imagination . Subject ...
Pagina 300
... object or event . It is possible to contemplate an object and be aware that one is contemplating an object . And this latter awareness need not be a second act following the first aware- ness , of the object , but an integral part of an ...
... object or event . It is possible to contemplate an object and be aware that one is contemplating an object . And this latter awareness need not be a second act following the first aware- ness , of the object , but an integral part of an ...
Pagina 400
... object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world . In a moment above time , though in time , subject and ...
... object in this type of confrontation is no longer the mind that engaged in practical living ; likewise , the object also no longer belongs wholly to the material external world . In a moment above time , though in time , subject and ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote