Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 276
... moral responsibility , on man as a moral being , on the dignity which man gains when he accepts the obligations implicit in an ideal character , 140 D. H. Lawrence11 said categorically : " The essential function of art is moral . Not ...
... moral responsibility , on man as a moral being , on the dignity which man gains when he accepts the obligations implicit in an ideal character , 140 D. H. Lawrence11 said categorically : " The essential function of art is moral . Not ...
Pagina 277
... moral consequences , but to ask moral purposes of an artist means to spoil his trade . " 145 This is essentially the view of Indian poetics too . Art should not have a moral aim , but must necessarily have a moral view . This is not to ...
... moral consequences , but to ask moral purposes of an artist means to spoil his trade . " 145 This is essentially the view of Indian poetics too . Art should not have a moral aim , but must necessarily have a moral view . This is not to ...
Pagina 286
... moral independence of man from the laws of nature in a state of passion . " Tragedy must represent " suffering nature " but also " moral resistance against suffering " . Mere pity , mere compassion , is condemned by Schiller as ...
... moral independence of man from the laws of nature in a state of passion . " Tragedy must represent " suffering nature " but also " moral resistance against suffering " . Mere pity , mere compassion , is condemned by Schiller as ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote