Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 211
... living . We saw earlier that Indian psychology categorised human moti- vations as the blind impulsions of unconscious instincts ( Tamasic ) , or as conscious , extrovert action ( Rajasic ) , or as poised , untroubled participa- tion in ...
... living . We saw earlier that Indian psychology categorised human moti- vations as the blind impulsions of unconscious instincts ( Tamasic ) , or as conscious , extrovert action ( Rajasic ) , or as poised , untroubled participa- tion in ...
Pagina 217
... living power of the poetic image from the fact that it is realised through this type of confrontation . We saw earlier that Abhinava had argued that any object was a system of many wholes , capable of yielding several different gestalts ...
... living power of the poetic image from the fact that it is realised through this type of confrontation . We saw earlier that Abhinava had argued that any object was a system of many wholes , capable of yielding several different gestalts ...
Pagina 344
... Living matter , as E.S. Russell32 emphasises , is an organised unity . We reach unintelligible chaos when we endeavour to treat physiological phenomena as separate events . As Myers 33 points out , they become intelligible only when we ...
... Living matter , as E.S. Russell32 emphasises , is an organised unity . We reach unintelligible chaos when we endeavour to treat physiological phenomena as separate events . As Myers 33 points out , they become intelligible only when we ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote