Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 94
Pagina 58
... expression as the peculiar charm ( Vicchitti ) or strikingness ( Vaichitrya ) which can be creatively donated to ordinary expression by the imagination of the poet ( Kavi Pratibha ) . It is the mode of expression ( Vinyasa Krama ) in ...
... expression as the peculiar charm ( Vicchitti ) or strikingness ( Vaichitrya ) which can be creatively donated to ordinary expression by the imagination of the poet ( Kavi Pratibha ) . It is the mode of expression ( Vinyasa Krama ) in ...
Pagina 79
... expression is legitimate . But to see only figurative expression as poetic expression is a serious unconscious fallacy . Bain31 defined the poetic figure thus : " A figure of speech is a deviation from the plain and ordinary mode of ...
... expression is legitimate . But to see only figurative expression as poetic expression is a serious unconscious fallacy . Bain31 defined the poetic figure thus : " A figure of speech is a deviation from the plain and ordinary mode of ...
Pagina 88
... expression through stone , or canvas , or musical sound , of the deepest and simplest attributes of our nature , and therefore most intelligible at least to those souls which have these attributes . " We come back to the fundamental ...
... expression through stone , or canvas , or musical sound , of the deepest and simplest attributes of our nature , and therefore most intelligible at least to those souls which have these attributes . " We come back to the fundamental ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
Drept de autor | |
15 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote