Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 73
... evocation of the feeling ( Rasapakarshaka ) . No feature , there- fore , can be regarded as a permanent flaw in any context . Visvanatha shows that what is ordinarily considered a flaw can become an excellence by actually helping and ...
... evocation of the feeling ( Rasapakarshaka ) . No feature , there- fore , can be regarded as a permanent flaw in any context . Visvanatha shows that what is ordinarily considered a flaw can become an excellence by actually helping and ...
Pagina 153
... evocation of the forest , poetically personified as Aranyani , the forest nymph . The strange sounds that emanate from the heart of the woods , especially at the hour of twilight , the dim shapes that the eye seems to discern in the ...
... evocation of the forest , poetically personified as Aranyani , the forest nymph . The strange sounds that emanate from the heart of the woods , especially at the hour of twilight , the dim shapes that the eye seems to discern in the ...
Pagina 156
... evocation of the past or the delineation of a future which is life - like in power . Rasavad is the direct portrayal of emotions . Ruyyaka fumbles badly here . He says that in the Rasavad a universalisation ( Sadharanikarana ) takes ...
... evocation of the past or the delineation of a future which is life - like in power . Rasavad is the direct portrayal of emotions . Ruyyaka fumbles badly here . He says that in the Rasavad a universalisation ( Sadharanikarana ) takes ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote