Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 13
... emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there , and it ...
... emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there , and it ...
Pagina 22
... emotions are some sort of raw material which are refined into feelings by the aesthe- tic process . But this final feeling is also called a " new art emotion " and aesthetic experience is completely separated from life experience in a ...
... emotions are some sort of raw material which are refined into feelings by the aesthe- tic process . But this final feeling is also called a " new art emotion " and aesthetic experience is completely separated from life experience in a ...
Pagina 31
... emotion . After discoursing on the prime stimuli , congruent behavioural features and ancillary emotional reac- tions ( Vibhavas , Anubhavas and Vyabhichari Bhavas ) of love , Bharata remarks : " When all these are represented , aided ...
... emotion . After discoursing on the prime stimuli , congruent behavioural features and ancillary emotional reac- tions ( Vibhavas , Anubhavas and Vyabhichari Bhavas ) of love , Bharata remarks : " When all these are represented , aided ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote