Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 209
... delight ( Vinodu ) , a pleasure- giving device ( Kridaniyakam ) . If the Indian tradition , with its classical thoroughness , defined four ends of poetry , it also insisted that delight was the primary end and that the other values were ...
... delight ( Vinodu ) , a pleasure- giving device ( Kridaniyakam ) . If the Indian tradition , with its classical thoroughness , defined four ends of poetry , it also insisted that delight was the primary end and that the other values were ...
Pagina 210
... delight becomes the means for realising the other values , we have to study the problem how poetry incarnates delight . For the Indian tradition , as we have noticed , insisted on seeing poetic experience as derived from life experience ...
... delight becomes the means for realising the other values , we have to study the problem how poetry incarnates delight . For the Indian tradition , as we have noticed , insisted on seeing poetic experience as derived from life experience ...
Pagina 236
... delight in the histrionic skill or poetic skill , by extension , in the case of the narrative literary forms . The delight in the Apollonian mastery of the tragic , the plastic shap- ing of pain even when its turbulence is fully felt ...
... delight in the histrionic skill or poetic skill , by extension , in the case of the narrative literary forms . The delight in the Apollonian mastery of the tragic , the plastic shap- ing of pain even when its turbulence is fully felt ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote