Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 209
... delight ( Vinoda ) , a pleasuregiving device ( Kridaniyakam ) . If the Indian tradition , with its classical thoroughness , defined four ends of poetry , it also insisted that delight was the primary end and that the other values were ...
... delight ( Vinoda ) , a pleasuregiving device ( Kridaniyakam ) . If the Indian tradition , with its classical thoroughness , defined four ends of poetry , it also insisted that delight was the primary end and that the other values were ...
Pagina 210
... delight becomes the means for realising the other values , we have to study the problem how poetry incarnates delight . For the Indian tradition , as we have noticed , insisted on seeing poetic experience as derived from life experience ...
... delight becomes the means for realising the other values , we have to study the problem how poetry incarnates delight . For the Indian tradition , as we have noticed , insisted on seeing poetic experience as derived from life experience ...
Pagina 236
... delight in the histrionic skill - or poetic skill , by extension , in the case of the narrative literary forms . The delight in the Apollonian mastery of the tragic , the plastic shaping of pain even when its turbulence is fully felt ...
... delight in the histrionic skill - or poetic skill , by extension , in the case of the narrative literary forms . The delight in the Apollonian mastery of the tragic , the plastic shaping of pain even when its turbulence is fully felt ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body Bombay called century character claim clarifies clear complete concept consciousness context created creation creative Criticism delight desire distinction emotion evolution existence experience expression fact feeling figure function further Gita gives heart human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living London material matter meaning mind moral nature object organism perception philosophy play poem poet poetry possible practical present principle profound pure quoted Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole wrote