Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 37
... creative imagination . He says that if the poet has the creative power ( Sakti or Pratibha ) the defects that may arise from the lack of culture or learning will be cancelled , whereas , if the poet is deficient in it , and has only ...
... creative imagination . He says that if the poet has the creative power ( Sakti or Pratibha ) the defects that may arise from the lack of culture or learning will be cancelled , whereas , if the poet is deficient in it , and has only ...
Pagina 220
... creative originality . This is because the discovery is not a passive , casual accident , chancing upon something that lies there in broad daylight , obvious to everybody ; it is the creation of value by the spirit for itself , though ...
... creative originality . This is because the discovery is not a passive , casual accident , chancing upon something that lies there in broad daylight , obvious to everybody ; it is the creation of value by the spirit for itself , though ...
Pagina 372
... creative sport or as a magnificent poetic experience . Claudel11 wrote : " When He had composed the universe , when He had arranged the sport in beauty . . . and when you speak , O poet , in a delectable enumeration , uttering the name ...
... creative sport or as a magnificent poetic experience . Claudel11 wrote : " When He had composed the universe , when He had arranged the sport in beauty . . . and when you speak , O poet , in a delectable enumeration , uttering the name ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote