Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 111
... creation and experience , Anubhava is the voluntary and involuntary behaviour , both expressive of emotion , of the ... creation of the poetic spirit , not a mimetic form . This had better be clarified , as misunderstanding is likely ...
... creation and experience , Anubhava is the voluntary and involuntary behaviour , both expressive of emotion , of the ... creation of the poetic spirit , not a mimetic form . This had better be clarified , as misunderstanding is likely ...
Pagina 223
... creation , proceeds to create new realities , not being content with the forms finished and presented by nature . It is significant that Indian thought has developed this concept right from the beginning , from the period of the Vedas ...
... creation , proceeds to create new realities , not being content with the forms finished and presented by nature . It is significant that Indian thought has developed this concept right from the beginning , from the period of the Vedas ...
Pagina 363
... creation intended to secure liberation ( moksha ) , for it is opposed to liberation . Thus neither the question nor an answer to it is possible and there is no occasion for it , as creation is due to the Maya of the Supreme . " Vyasa's ...
... creation intended to secure liberation ( moksha ) , for it is opposed to liberation . Thus neither the question nor an answer to it is possible and there is no occasion for it , as creation is due to the Maya of the Supreme . " Vyasa's ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote