Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 119
... context is a creatively organised context for the communication of feeling . Feeling cannot be communicated through propositional statement . In fact , the term " communication " is itself misleading . For the poet is not the donor who ...
... context is a creatively organised context for the communication of feeling . Feeling cannot be communicated through propositional statement . In fact , the term " communication " is itself misleading . For the poet is not the donor who ...
Pagina 126
... context . And he cites this verse as an example : " O neighbour , could you keep an eye on our house ? The father of this child does not like the tasteless water of the well . Though alone , I go quickly to the river whose banks are ...
... context . And he cites this verse as an example : " O neighbour , could you keep an eye on our house ? The father of this child does not like the tasteless water of the well . Though alone , I go quickly to the river whose banks are ...
Pagina 130
... context was the representation of a living context and because poetics had evolved from dramaturgy , that linguistic expression was seen , not as the sole or total reality , but as an element of the living context , which moulded the ...
... context was the representation of a living context and because poetics had evolved from dramaturgy , that linguistic expression was seen , not as the sole or total reality , but as an element of the living context , which moulded the ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava accept action activity aesthetic affirms analysis Ananda artist aspect basic beauty becomes Bharata body Bombay called century character claim clarifies clear complete concept consciousness context created creation creative Criticism delight desire distinction emotion evolution existence experience expression fact feeling figure function further Gita gives heart human idea imagination important Indian individual integration interpretation intuition Krishna language leads liberation living London material matter meaning mind moral nature object organism perception philosophy play poem poet poetry possible practical present principle profound pure quoted Rasa reach realised reality refers regarded relation relish revealed Sanskrit poetics says seems sense sentiment significance situation soul sound spirit suggestion theory things thought tion tradition truth ultimate understanding universe vision Vritti Vyasa whole wrote