Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 49
... CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to play ...
... CONCEPT OF BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to play ...
Pagina 60
... concept of the just proportion of sound ( Sabda sammitatva ) clarifies it as the quality of sound ( Sabda ) and meaning ( Artha ) being held as if in a balance . That is , they have parity . Meaning , in poetic expression , cannot claim ...
... concept of the just proportion of sound ( Sabda sammitatva ) clarifies it as the quality of sound ( Sabda ) and meaning ( Artha ) being held as if in a balance . That is , they have parity . Meaning , in poetic expression , cannot claim ...
Pagina 200
... concept and stabilise it as an important literary principle . Subsequently , almost every important writer offers his treatment of the concept and Kshemendra131 attempts a very useful and systematic codification of all this material . A ...
... concept and stabilise it as an important literary principle . Subsequently , almost every important writer offers his treatment of the concept and Kshemendra131 attempts a very useful and systematic codification of all this material . A ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote