Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 111
... character who is the primary stimulus ( Vibhava ) that initiates the aesthetic reaction in the aesthetic situation , plastically shaped by the poetic creati- vity . Ordinarily , the Anubhava is a mimetic form , the transposition into ...
... character who is the primary stimulus ( Vibhava ) that initiates the aesthetic reaction in the aesthetic situation , plastically shaped by the poetic creati- vity . Ordinarily , the Anubhava is a mimetic form , the transposition into ...
Pagina 169
... character and the interaction of characters . The experience does not shed its pain ; but in becoming analysable it does shed its power to stun the sensibility into a blind stupe- faction . The initial experience , standing in isolation ...
... character and the interaction of characters . The experience does not shed its pain ; but in becoming analysable it does shed its power to stun the sensibility into a blind stupe- faction . The initial experience , standing in isolation ...
Pagina 201
... character and situation in all forms , there is a flexible range of modification , possible and expected according to the literary form . Bhoja also speaks of language according to the character ( Patranurupa - Bhashatvam ) and refers ...
... character and situation in all forms , there is a flexible range of modification , possible and expected according to the literary form . Bhoja also speaks of language according to the character ( Patranurupa - Bhashatvam ) and refers ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote