Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 49
... century assimilates the concept of beauty to the general theory of creative poetic action ( Kavi Karma ) . Narayana , an ancestor of Visvanatha of the fourteenth century , equated beauty ( Chamatkara ) with the expansion of the heart ...
... century assimilates the concept of beauty to the general theory of creative poetic action ( Kavi Karma ) . Narayana , an ancestor of Visvanatha of the fourteenth century , equated beauty ( Chamatkara ) with the expansion of the heart ...
Pagina 76
... century ) gives about one hundred and Appayya Dikshita ( seventeenth century ) adds a score more . The two broad divi- sions were the ideational figures ( Arthalamkara ) which related to the sense and the verbal figures ( Sabdalamkara ) ...
... century ) gives about one hundred and Appayya Dikshita ( seventeenth century ) adds a score more . The two broad divi- sions were the ideational figures ( Arthalamkara ) which related to the sense and the verbal figures ( Sabdalamkara ) ...
Pagina 118
... century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century . But there are difficulties here . The work consists of the Karika , gnomic verses , and the Vritti ...
... century onwards , the assumption becomes fairly universal that the author of this classic is Ananda Vardhana of the ninth century . But there are difficulties here . The work consists of the Karika , gnomic verses , and the Vritti ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote