Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 49
... BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to play down the ...
... BEAUTY In the Sanskrit tradition , poetics has occasionally been referred to the science of beauty ( Saundarya Sastra ) . The words for beauty are Saundarya , Charutva , Chamatkara , etc. But the general tendency is to play down the ...
Pagina 50
... beauty to higher aims , so likewise the artist must render it sub- ordinate to his general design and not pursue it farther than truth and expression permit . Enough that , through these two , what is most ugly and beautiful in nature ...
... beauty to higher aims , so likewise the artist must render it sub- ordinate to his general design and not pursue it farther than truth and expression permit . Enough that , through these two , what is most ugly and beautiful in nature ...
Pagina 51
... beauty which I shall defend , " writes Reid , 113 " will be that beauty is perfect expressiveness . " A vexed question which repeatedly crops up in aesthetic theory is whether or not beauty has an objective status . Since the concept of ...
... beauty which I shall defend , " writes Reid , 113 " will be that beauty is perfect expressiveness . " A vexed question which repeatedly crops up in aesthetic theory is whether or not beauty has an objective status . Since the concept of ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote