Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 13
... basic emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there ...
... basic emotion . The modulations are the refractions of the basic emotion when the perspective and the light and shade change . The tran- sient shades arise with their specific feeling - tones just because the basic emotion is there ...
Pagina 307
... basic sentiment ( Sthayin ' ) and as a derived emotion ( Vyabhichari ) . But Hema Chandra " anticipates and rejects ... basic sentiments ( Sthayins ) studied by aesthetic theory , therefore , are only the derived emo- tions ...
... basic sentiment ( Sthayin ' ) and as a derived emotion ( Vyabhichari ) . But Hema Chandra " anticipates and rejects ... basic sentiments ( Sthayins ) studied by aesthetic theory , therefore , are only the derived emo- tions ...
Pagina 310
... basic state ( Sthayin ) of the Santa Rasa . Probably he felt that the terms would be very confusing since they were interpreted by different writers in diametrically opposite senses . He asserts that the basic state in Santa Rasa is ...
... basic state ( Sthayin ) of the Santa Rasa . Probably he felt that the terms would be very confusing since they were interpreted by different writers in diametrically opposite senses . He asserts that the basic state in Santa Rasa is ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote