Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 24
... artist and at the same expresses his feeling . That is , it has a concrete reality which does not need any further reference outside the contours of its form to the prior experience of the artist , because that experience has been ...
... artist and at the same expresses his feeling . That is , it has a concrete reality which does not need any further reference outside the contours of its form to the prior experience of the artist , because that experience has been ...
Pagina 34
... artist's ) work would tend to become mono- tonous and devitalised and would grow too subjective in character , " wrote Margaret Bulley.1 Somerset Maugham2 clarifies this interaction between world and art . " The author does not only ...
... artist's ) work would tend to become mono- tonous and devitalised and would grow too subjective in character , " wrote Margaret Bulley.1 Somerset Maugham2 clarifies this interaction between world and art . " The author does not only ...
Pagina 46
... artist , to share in other words the mysterious but exhilaratory experience of creation . Dewey also concurs with the view that the sensitive reader is " of like heart " with the poet . The artist and audience should not be separated ...
... artist , to share in other words the mysterious but exhilaratory experience of creation . Dewey also concurs with the view that the sensitive reader is " of like heart " with the poet . The artist and audience should not be separated ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote