Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 154
... accept all the implications latent in the cue given by Abhinava . Since feeling was supreme in poetry , the exact modality of its evocation was secondary ; there should not be any too hard dictation about it . Thus , even while accepting ...
... accept all the implications latent in the cue given by Abhinava . Since feeling was supreme in poetry , the exact modality of its evocation was secondary ; there should not be any too hard dictation about it . Thus , even while accepting ...
Pagina 306
... accepted as a Rasa suitable for literary delineation . The persistence of misunderstanding vitiates large areas ... accept Bunyan's Pilgrim's Progress as the most spiritual of all literary compositions . But , as we shall see later ...
... accepted as a Rasa suitable for literary delineation . The persistence of misunderstanding vitiates large areas ... accept Bunyan's Pilgrim's Progress as the most spiritual of all literary compositions . But , as we shall see later ...
Pagina 330
... accept that time and history are predetermined and therefore “ irredeemable " . It cannot accept that voyagers in the journey of life change in an unrelated sequence , without a core persisting which can transform change into growth ...
... accept that time and history are predetermined and therefore “ irredeemable " . It cannot accept that voyagers in the journey of life change in an unrelated sequence , without a core persisting which can transform change into growth ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote