Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 9
... Vibhava is the prime stimulus which activates the sentiment . More accurately , it is the equivalent , in the creatively devised aesthetic situation , of the stimulus in real life . For Indian poetics never forgets to lay stress on the ...
... Vibhava is the prime stimulus which activates the sentiment . More accurately , it is the equivalent , in the creatively devised aesthetic situation , of the stimulus in real life . For Indian poetics never forgets to lay stress on the ...
Pagina 10
... Vibhava , the heroine , likewise , is the medium , not the cause , through which the emotion arises in the actor himself . The Vibhava has been further defined as the focus of the cogni- tion which is preliminary to emotional reaction ...
... Vibhava , the heroine , likewise , is the medium , not the cause , through which the emotion arises in the actor himself . The Vibhava has been further defined as the focus of the cogni- tion which is preliminary to emotional reaction ...
Pagina 128
... Vibhava ( the prime stimulus , here the actor in a role ) or whether the Vibhava serves merely as the ground for inferring the feeling . Against the inference school it has been urged that understanding seems to occur even in the ...
... Vibhava ( the prime stimulus , here the actor in a role ) or whether the Vibhava serves merely as the ground for inferring the feeling . Against the inference school it has been urged that understanding seems to occur even in the ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote