Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 211
... Tamasic and Rajasic motivations were eliminated in the confron- tation of subject and object and the approach was Satvic . Abhinava17 also accepts the analysis . Aesthetic experience cannot be Tamasic because it is not instinct ...
... Tamasic and Rajasic motivations were eliminated in the confron- tation of subject and object and the approach was Satvic . Abhinava17 also accepts the analysis . Aesthetic experience cannot be Tamasic because it is not instinct ...
Pagina 263
... Tamasic by Indian psychology . Since the intellect and will cannot be completely disassociated from the emotions , there is also a tendency for psychological and intellectual constructions to be built upon the archaic emotional ...
... Tamasic by Indian psychology . Since the intellect and will cannot be completely disassociated from the emotions , there is also a tendency for psychological and intellectual constructions to be built upon the archaic emotional ...
Pagina 349
... Tamasic . " 57 The happiness such a type seeks and obtains is defined thus : " That happiness which deludes the soul both in the moment of its experience and in its further consequence and which arises from error , stupefaction and ...
... Tamasic . " 57 The happiness such a type seeks and obtains is defined thus : " That happiness which deludes the soul both in the moment of its experience and in its further consequence and which arises from error , stupefaction and ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote