Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 145
... Rasa without the slightest reservation in spite of his commitments regarding suggestion . Affirmations about the supremacy of Rasa are scattered generously through- out the Dhvanyaloka . There is no glory in poetic endeavour which does ...
... Rasa without the slightest reservation in spite of his commitments regarding suggestion . Affirmations about the supremacy of Rasa are scattered generously through- out the Dhvanyaloka . There is no glory in poetic endeavour which does ...
Pagina 154
... ( Rasa ) , there lingered an ambivalence in theory , for , here , suggestion does not completely restore to feeling the status of supreme poetic value which it had usurped . This is because the formulation does not give an unambiguous ...
... ( Rasa ) , there lingered an ambivalence in theory , for , here , suggestion does not completely restore to feeling the status of supreme poetic value which it had usurped . This is because the formulation does not give an unambiguous ...
Pagina 190
... Rasa ) while the dominant emotion of the Maha Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for ...
... Rasa ) while the dominant emotion of the Maha Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote