Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 103
... Guna related to word and sense together in their integrated reality . And a later commentator1 claimed that the figure stood to poetry in the relation of mere conjunction ( Samyoga ) while the excellence ( Guna ) stood to poetry in the ...
... Guna related to word and sense together in their integrated reality . And a later commentator1 claimed that the figure stood to poetry in the relation of mere conjunction ( Samyoga ) while the excellence ( Guna ) stood to poetry in the ...
Pagina 104
... Guna to Rasa , which was the former's originating base ( Asraya ) . But since words and their collocation can also suggest Rasa , the verbal tissue ( Samghatana ) can also do so , provided it takes the accompanying Guna as the base ...
... Guna to Rasa , which was the former's originating base ( Asraya ) . But since words and their collocation can also suggest Rasa , the verbal tissue ( Samghatana ) can also do so , provided it takes the accompanying Guna as the base ...
Pagina 276
... guna - samyuktam ; that is , it gives its due place to the satisfaction of sensuous but legitimate impulses , to Eros . But it is also Dharmartha- guna - vistaram ; that is , the dominant accent is on moral responsibility , on man as a ...
... guna - samyuktam ; that is , it gives its due place to the satisfaction of sensuous but legitimate impulses , to Eros . But it is also Dharmartha- guna - vistaram ; that is , the dominant accent is on moral responsibility , on man as a ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote