Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 144
... Dhvani ( Dhvani Kavya ) in which the ( expressed ) word and sense , subordinating themselves , manifest that ( other suggested ) sense . " But now it is not just a particular kind of poetry , it alone is the highest poetry : for Dhvani ...
... Dhvani ( Dhvani Kavya ) in which the ( expressed ) word and sense , subordinating themselves , manifest that ( other suggested ) sense . " But now it is not just a particular kind of poetry , it alone is the highest poetry : for Dhvani ...
Pagina 148
... Dhvani theorists , Mallarmé opposes direct expression , the naming of an object , for poetic enjoyment comes from divination . He prefers the suggested image ( Alamkara Dhvani ) , the image emanating from the reveries which things ...
... Dhvani theorists , Mallarmé opposes direct expression , the naming of an object , for poetic enjoyment comes from divination . He prefers the suggested image ( Alamkara Dhvani ) , the image emanating from the reveries which things ...
Pagina 152
... Dhvani theory felt that there was no necessity to invoke Dhvani as a special concept and that it could be accommodated in a theory of latent imagery ( Alamkara antarbhava ) . Pratiharendu Raja124 takes this line in his gloss on Udbhata ...
... Dhvani theory felt that there was no necessity to invoke Dhvani as a special concept and that it could be accommodated in a theory of latent imagery ( Alamkara antarbhava ) . Pratiharendu Raja124 takes this line in his gloss on Udbhata ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Termeni și expresii frecvente
Abhinava Gupta action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhavabhuti Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction drama emotion emphasises epic ethical evocation evolution existence feeling function Gita Guna human I. A. Richards Ibid imagination Indian integration intuition Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetic figure poetry Prakasa profound prose pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Sastra Satvic says sense sensibility sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot Tamasic theory things thought tion tissue tragic truth unconscious Upanishad Vakrokti Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote