Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 48
... criticism is the perception of aesthetic objects , natural and artistic criticism is always determined by the quality of first - hand perception ; obtuseness in perception can never be made good by any amount of learning , however ...
... criticism is the perception of aesthetic objects , natural and artistic criticism is always determined by the quality of first - hand perception ; obtuseness in perception can never be made good by any amount of learning , however ...
Pagina 440
... Criticism ( 1750-1950 ) . The Enjoyment of A. C. Bradley : " Hegel's Theory of Tragedy , " Oxford Lectures on Poetry ( London , 1909 ) . Philip Leon : Aesthetic Knowledge ( Aristotelian Society , 1925 ) . 36 . 37 . 38 . 39 . 40 ...
... Criticism ( 1750-1950 ) . The Enjoyment of A. C. Bradley : " Hegel's Theory of Tragedy , " Oxford Lectures on Poetry ( London , 1909 ) . Philip Leon : Aesthetic Knowledge ( Aristotelian Society , 1925 ) . 36 . 37 . 38 . 39 . 40 ...
Pagina 444
... Criticism in a Mass Society , " in the Symposium , The Intent of the Critic . Lional Trilling : Oswald Kulpe : The Liberal Imagination ( London , 1948 ) . Principles of Literary Criticism ( London , 1925 ) . Ibid . , p . 92 . Outlines ...
... Criticism in a Mass Society , " in the Symposium , The Intent of the Critic . Lional Trilling : Oswald Kulpe : The Liberal Imagination ( London , 1948 ) . Principles of Literary Criticism ( London , 1925 ) . Ibid . , p . 92 . Outlines ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote