Sanskrit Poetics: A Critical and Comparative StudyAsia Publishing House, 1965 - 466 pagini |
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Pagina 1
... Bharata conceived of the drama as a gesamtkunstwerk , or synthesis of all the arts , and in his great work , Natya Sastra , he gave to India a monumental treatise full of detailed suggestions for integrating libretto , stage effects ...
... Bharata conceived of the drama as a gesamtkunstwerk , or synthesis of all the arts , and in his great work , Natya Sastra , he gave to India a monumental treatise full of detailed suggestions for integrating libretto , stage effects ...
Pagina 190
... Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for plagiarising , it must be strictly understood ...
... Bharata on which the drama is based is tranquillity ( Santa Rasa ) . Thus , if the bulk of Sanskrit drama is based on the material of epics and ballads and if Raja Sekhara gives tips for plagiarising , it must be strictly understood ...
Pagina 438
... Bharata Natya Sastra , Chapter XV . 136. Ananda Vardhana : Dhvanyaloka , III ( Kavyamala Edition ) . 137. Bharata Natya Sastra , XVII , 121-3 ; XXI , 131-2 ; XXVII , 46 . 138 . 139 . 140 . 141 . 142 . 143 . Ananda Vardhana : Dhvanyaloka ...
... Bharata Natya Sastra , Chapter XV . 136. Ananda Vardhana : Dhvanyaloka , III ( Kavyamala Edition ) . 137. Bharata Natya Sastra , XVII , 121-3 ; XXI , 131-2 ; XXVII , 46 . 138 . 139 . 140 . 141 . 142 . 143 . Ananda Vardhana : Dhvanyaloka ...
Cuprins
THE POETIC SITUATION | 1 |
13 Poetic Transfer | 24 |
THE POETIC CIRCUIT | 34 |
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Abhinava Bharati Abhinava Gupta absolute action aesthetic aesthetic experience affirms Alamkara analysis Ananda Vardhana artist Atman basic beauty becomes Bhagavata Bhamaha Bharata Bhatta Bhava Bhoja Bombay Brahman clarifies concept consciousness context creation creative Criticism delight Dhvani Dhvanyaloka diction doctrine drama emotion emphasises epic ethical evolution existence feeling function Gita heart human I. A. Richards Ibid imagination Indian integration intuition Jacques Maritain Kavya Krishna Kuntaka liberation literary living London Mallarmé Mammata meaning mind monism moral myth nature object Paul Valéry perception philosophy poem poet poet's poetic experience poetic expression poetry Prakasa principle profound prose Psychology pure Rajasic Rama Rasa realised reality Rig Veda Samkhya Sanskrit poetics Satvic says sense sentiment significance soul spirit Srngara Sthayin suggestion Supreme T. S. Eliot theory things thought tion tissue truth unconscious Upanishad Valéry Valmiki Vedic Vibhava vision Visvanatha Vritti Vyasa words wrote