The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, Up to the Highest Tone of Expression in Speech, Attainable by the Human VoiceSampson, Low, 1846 - 383 pagini |
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Pagina 15
... nature and habit to suggest the utterance : and for this plan " he lays claim to some originality of his own " ( Part IV . c . i , §1 ) ; though he says , ( c . ii . , § 2 , ) that " it is not enough that the reader should himself ...
... nature and habit to suggest the utterance : and for this plan " he lays claim to some originality of his own " ( Part IV . c . i , §1 ) ; though he says , ( c . ii . , § 2 , ) that " it is not enough that the reader should himself ...
Pagina 18
... nature , or custom , which is a second nature , suggests that is , because its principles must be founded on nature . And he asks triumphantly— " Then , if this be the case , why not leave nature to do her own work ? " The answer is ...
... nature , or custom , which is a second nature , suggests that is , because its principles must be founded on nature . And he asks triumphantly— " Then , if this be the case , why not leave nature to do her own work ? " The answer is ...
Pagina 19
... nature to herself : when so left , she fre- quently degenerates and becomes vitiated ; and we are obliged to go back to certain principles , drawn even from herself , to restore her to her perfect form , complexion , and condition ...
... nature to herself : when so left , she fre- quently degenerates and becomes vitiated ; and we are obliged to go back to certain principles , drawn even from herself , to restore her to her perfect form , complexion , and condition ...
Pagina 22
... nature , or custom , which is second nature , to do her own work ? " He proceeds , and I go with him heartily : 22 22 ART OF ELOCUTION .
... nature , or custom , which is second nature , to do her own work ? " He proceeds , and I go with him heartily : 22 22 ART OF ELOCUTION .
Pagina 33
... nature of an explo- sive whisper . * Mr. Knowles , in his Grammar , talks of " voice without breath , " as the distinctive mark of the pure semi - vowels . Voice without breath ! This is an organic impossibility . Voice cannot be ...
... nature of an explo- sive whisper . * Mr. Knowles , in his Grammar , talks of " voice without breath , " as the distinctive mark of the pure semi - vowels . Voice without breath ! This is an organic impossibility . Voice cannot be ...
Alte ediții - Afișează-le pe toate
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Vizualizare completă - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vandenhoff Vizualizare completă - 1846 |
The Art of Elocution: From the Simple Articulation of the Elemental Sounds ... George Vanderhoff Nu există previzualizare disponibilă - 2015 |
Termeni și expresii frecvente
accelerando accented ADRASTUS antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial quired reading rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word