The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 pagini |
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Pagina 49
... rules , the consequence would be , that the finest lan- guage in the world would , by such pronunciation , af- ford the best specimen possible of the language of Ba- bel . - But it has of late been acknowledged , that the rules of ...
... rules , the consequence would be , that the finest lan- guage in the world would , by such pronunciation , af- ford the best specimen possible of the language of Ba- bel . - But it has of late been acknowledged , that the rules of ...
Pagina 68
James Chapman. by a few vague rules , and some marks that have no re- ference as to time : but the truth is , that to give rules for this part of elocution , is as difficult as to give rules for the melody of a sentence ; which may be ...
James Chapman. by a few vague rules , and some marks that have no re- ference as to time : but the truth is , that to give rules for this part of elocution , is as difficult as to give rules for the melody of a sentence ; which may be ...
Pagina 212
... rules that could be devised to de- stroy the rhythm of the line ; but of this the author was not aware . YE POETS ... rules of artificial prosody are set at defiance : rules were not made for genius ; the practice of ge- nius constitutes ...
... rules that could be devised to de- stroy the rhythm of the line ; but of this the author was not aware . YE POETS ... rules of artificial prosody are set at defiance : rules were not made for genius ; the practice of ge- nius constitutes ...
Alte ediții - Afișează-le pe toate
The Original Rhythmical Grammar of the English Language: Or, the Art of ... Rev. James Chapman Vizualizare completă - 1821 |
Termeni și expresii frecvente
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words