The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 pagini |
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Pagina 13
... poet assumes a character , and speaks and acts in consequence of that character . To sentiments which spring from character and pas- sion , the lyric poet should unite images , productive of sentiment and passion . Objects in repose ...
... poet assumes a character , and speaks and acts in consequence of that character . To sentiments which spring from character and pas- sion , the lyric poet should unite images , productive of sentiment and passion . Objects in repose ...
Pagina 14
... poet speaks , the imitation or the drama ceases . It is remarkable , that this is the very era when Plutarch dates the corruption of music . When the poet ceased to write from the movements of the heart , the musician began to sing from ...
... poet speaks , the imitation or the drama ceases . It is remarkable , that this is the very era when Plutarch dates the corruption of music . When the poet ceased to write from the movements of the heart , the musician began to sing from ...
Pagina 208
... poet . For there cannot be a greater mistake , nor can any thing show less knowledge of the rhythm of Mil- tonic measures , than to say that the author ever in- tended that these words should be pronounced with the second syllable heavy ...
... poet . For there cannot be a greater mistake , nor can any thing show less knowledge of the rhythm of Mil- tonic measures , than to say that the author ever in- tended that these words should be pronounced with the second syllable heavy ...
Alte ediții - Afișează-le pe toate
The Original Rhythmical Grammar of the English Language: Or, the Art of ... Rev. James Chapman Vizualizare completă - 1821 |
Termeni și expresii frecvente
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words