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ending me a letter, I don't hardly know where to tell you o direct it. You might hear of me at the Three Pigeons, Stonycross, Brummagem, if I happened to be out of work, which ain't often. Last time I was wrote to, was Provilence Terrace, Banktop Cutting, Killarney, Ireland, and he postman broke his leg trying to get it to me. So perhaps you'd better not write; but if you should want to send ne any money just you hand it over to Mr. Tracey's office n Great Parliament Street, and tell 'em it's for Peg-legged 3ob. I shall get it all right some time or other. As to how I got the name, why that's pretty obvious, I should hink, looking at these timber toes of mine. It wasn't gave ne by my godfathers and godmother, but you may say that was christened by four hundred tons of rock and rubbidge is tumbled right atop of me.

Not

This was how it happened. Me and a mate of mine was working in a butty gang on one of Mr. Tracey's lines. It was in the old man's time. Yes, he was a very decent ellow, old Tracey. There was a kind of a go about him, as nade you like to work for him, even if so be as you didn't nake much out of it. And he was precious near. himself, you know, so much, as the men that was under aim; but bless you, he picked 'em out just for that, else he was a free-handed sort, if you took him on the right side, and he'd never see you ruinated through any of his jobs, if you stuck to 'em plucky. Not but what perhaps there was a bit of policy about that, too, for you see you'd cut things a bit closer, knowing as if they turned out unkimmon cross, old Tracey 'ud ease you off some trille.

I was a able-bodied young chap when it happened, and could do a day's work with anybody. I was butty of the gang, and we'd took about a thousand yards of rock and rubbidge to drive a cutting through, and was getting on very well with it, too. We was making three pound a week, every man in the gang, for it had turned out a very plummy piece; only perhaps we was in too much of a hurry, and used our powder a little too free. It was in Staffordshire county, a sort of red sand and rock, we had to cut through, a soft kind of stone as come away in great chunks like slices of pudding. We'd cut away at both ends of our piece and had left a big lump sticking up in the middle, and we'd made up cur minds to give him a jolly good shaking, with twenty pounds of powder droved twenty feet into the rock. Me and my chum, carrotty Sam we called him then, had agreed to tamp the hole and fire the shot. We'd just rammed in the charge, and Sam had got a lump of clay in his hand to slap into th' hole, when of a sudden I heard a sort of fizzling noise under my feet, and lo and behold, I'd struck out a spark with my hob-nailed boots, and the powder as we'd scattered here and there had took the spark, and the flame was running along all about like wildfire. "Run, Sam," says I; and we started off for our lives. There was a chance you see that the charge wouldn't catch, or that if it catched it would "blow" without bringing the rock down upon us. But there was no such luck. I heard a gruff sort of a bang behind me, the ground wobbled about under my feet, and down I went, tumbling over my mate, all in darkness like. There was just a minute when I felt as if I was fireworks, and turning into all kinds of lights, and then I felt one twist of dreadful pain. After that I don't remember aught till I come to myself in a sort of a dream, as it might be the nightmare. Not that I could make out where I was or nothing, only I was feeling badder than I've got words to tell you.

When I did come to myself sufficient to know where I were, I didn't feel any better. I was buried alive, sure enough, and I felt bad all over, I can tell you. Then I moved a bit with my arm and felt something soft alongside me, that groaned as I touched it.

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"Sam," says I, in a gruff kind of way. "Hullo, Bob," says he. Good-by, old man," says I. "Good-by, Bob," says he. And after that we lay quite still without speaking. How time passed I didn't know, but I felt getting colder and colder, and the feeling went out of me, so as I didn't feel no more pain, and my head was clear; and I thought, aye, I thought a deal o' things. Then I spoke to Sam again, and he never answered; and I spoke again, but not a sound

from him. So, thinks I, he's dead, and I'll have my groan out. And I cried out; ah, you wouldn't have thought there was strength enou' in me to have sung out as I did.

And when I'd had my cry out, now, thinks I, it's all over, and I may give up the ghost. Then I heard another cry, as seemed as if it came out of the bowels of the earth, and after that there was a sound of picks and spade. Next thing I hears a voice, "Bob!" quite faint like. "Hallo," says I, "what, Sam, are ye alive yet?" "Aye," says he, "was that you as shrieked just now?" "Aye," says I, a

"But

little bit nettled as Sam should have heard me. keep up, mate," says I, "here's help a-coming." And presently there came a shine of light and somebody sings out, "Here they are!"

Ah, but we'd a precious bad time of it too, after they found us. A great stone had rumbled on our legs and smashed 'em dreadful, one of mine and one of Sam's, his left leg and my right. The stones had collapsed together like, so as we warn't killed outright; but they'd been digging for us the wrong way, and would never have got us out alive, if it hadn't been for that shout I give, as I thought was my last. The doctors whipped our legs off fast enou' after they got us out, and then I lay on my back, in a bt of a bothie alongside the cutting, for months and months. And there it was I made acquaintance with Sal, who was Sam's sister, and come to nurse him, and she looked after me, too, first-rate. Only I never thought about getting wedded then, being, as I was, very down in the mouth, wondering what was to become of me through having lost my leg.

Howsoever, Mr. Tracey, he came down one day to see how his chaps was getting on, and he comed into the hut to have a look at me and Sam. "Well, lads," he says, "how are you by this time?" "All right, governor," I says, "what there's left of us," says I; "the doctor's took so much of us away, they'd ought to have joined me and Sam together, as might make a man between us." And Tracey, he laughed, and said, "Well, Bob," says he, " you allus had a wooden head, and now you'll be head and foot all alike," says he. Well, I knowed by the old gent being so cheerful as there was something more behind, and, says he to a man outside, "Tom, bring in them timbers!" and lo and behold there was a pair of wooden legs he'd brought from London; very neat-looking things they was, too, with brass rims round the hoofs of 'em, and varnished beautiful. It seemed as the man as made them was proud of them, for there was burnt into the wood, right in the middle of each of the legs, the 'nitials of his name, P. L. B., meaning Philip Lee, Bow, Mr. Tracey told me. But one of my mates, as was a bit of a scholard, coming in by 'n' by, he takes up my leg, and says he, "P. L. B., what does that mean? Why, Peg-legged Bob," says he, and that name stuck to me ever since.

But I was telling you about Mr. Tracey; well, that, wasn't the last visit he paid me, and next time he came' he says, "Bob, you won't be much use for a navvy now,' says he, "but you're a knowledgeable man, and has got your wits about you; take a contrack under me," says he. "'Ain't got the brass, Mr. Tracey," says I. "I'll lend you some," he says, "enough to start you; no interest to pay; but, mark you, I shall look for my money back some day." And with that he wrote me out a check for a hundred. Now Sam had a great fancy for a public-house, and Tracey helped him too, so he and I parted. But afore then Sal and I was wedded, and with Sal I took to Bos, the curlyhaired dog as had been her father's, a valyble animal, sir, as hunted silent, and brought me in many a hare and rabbit in days gone by.

I did pretty well as a sub on the whole ups and downs, and sometimes only bread and cheese for my pains, with a pound or two to the good now and then to pay back Mr. Tracey. Sam didn't do as well in the public line

- made a break of it, in fact, and then came back among his old pals, and kept a sort of a sly grog shop.

Well, I'd been working a good piece with Mr. Tracey in Ireland, a starvation sort of a job, as melancholy a business as ever I knowed. When we'd got through that, I heard

as Mr. Tracey was making a line in Wales. Thinks I, that's working home like: so I takes the steamer to Holyhead and jogs along to the wars. Tracey was working this job at both ends, with one set at this end in Blamarginshire and another at the t'other end in Magonyshire. Well, I saw there wasn't a likely job for me in Blamarginshire, and so I worked on through the country. I may tell you I heard of Sam, as was doing a bit of business among the lads, but I didn't trouble to look him up, not being over friendly with him just then.

Howsoever I took a stiffish cutting at the other side of the country, Magonyshire end you know, and soon repented of my job, I can tell you. I never see such a mixed sort of a place as that Wales. Everything higgledy piggledy, gravel and rock, slate and rubbidge all twisted up anyhow. There was no lodgings to be had near our cutting, so we made a sort of a camp, a row of huts, as we christened Prospect Villas. And with there being no town near, Sal set up a shop to sell groceries and pork and so on. It was a thing Mr. Tracey set his face against in a general way, any of us subs setting up shop. ""Tain't right for the men," he'd say, "and it's the beginning of truck work as I can't abide." But in this case he'd nothing to say against it. Only," says he, "Bob, don't you go selling drink." Which I didn't, except as it might be to a friend, you know. We hadn't been there long when who should turn up, one day, but Sam, my wife's brother. He was a big lump of a chap, just like myself, and about the same height. "I'm in a bit of trouble, Bob," says he; "lend us a pound or two, and get us run on to Brummagem." And he stayed a night with me, and I took him off afore daylight, and got him on to the ballast engine as was working on the line, and then he was all right. I never axed him what the trouble was as he'd got into; it wouldn't 'a' been polite, you know; and Sam never told me, only that it was in Blamarginshire, where he'd been doing a bit of business among the navvies as was working at the other end of Mr. Tracey's line.

I was standing atop of the bank, one day, looking over the men as was filling a set of wagons for the tip. The road ran close by, and a gig was coming along, and I thought for a minute it was Grinwell, our gaffer, coming to have a look at us; and I stumped off to the road to meet him. But it wasn't him, but a rather solemn-looking chap, with a frill of black whiskers round his face. And he stops and passes the time of the day with me. "Been in the army? says he, pointing to my leg. "No," says I; "fall of rock." And he seemed to prick up his ears at that, and asked me a lot of questions as to how it happened, and so And then he begins admiring my leg the wooden

on.

see.

'un and would I mind putting it upon the step for him to "Ah," says he, 66 a nice bit of timber that; and them letters, why, you've got your 'nitials on it, I see: P. L. B. Thank'ee; good day," says he, and drives off sharp, as if to make up for lost time.

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Well, me and Sal was having our tea that night atop of the counter we was a bit squeezed for room, there being only the shop and a back parlor and a little cook-house, and four or five lodgers, and the children and Bos - and a knock came at the door, and Bos he sets a-barking, like mad. "Come in," says I, with my mouth full of bread and cheese; and in walks two policemen and the gent I'd seen in the gig in the morning. "There's your prisoner," says he to the police; "take him off." "Why; what have I done?" says I, my heart sinking into my boot. Oh," he says, "selling liquor without a license." "But," I saysfor my mind wasn't quite clear as I mightn't have transfixed the law, through being too careful to go as near to it as might be without breaking it - says I, "Ain't I to have my trial?" "Trial! nonsense!" says he. "Who are you?" I says. "Are you kings, lords, and commons, and judge and jury, too?" says I. Says he, "I'm the supervisor of the excise, my boy; and here's the warrant to take you to prison. You know all about it; so it's no use pretending you don't." Well, Sal cried, and Bos howled, and the children screamed, and some of my men began to get wind of what was up, and gathered about the door. "Look

sharp," says the exciseman; "they'll be trying next." And with that they hurried me out, and a line to where a dog-cart was waiting, and away And presently we came to a town called Lanpi some such name as that. Now, it so happened a a man there, a lawyer-a regular hearty sort of as was doing a bit of work for Mr. Tracey; and up, and said, "You must let me see my lawyer." lawyer," sneered the police; " who's your lawyer?" Mr. David Evans," I said. And with that ther whispering going on; and presently they said a stop for half an hour at the Goat, and bait the ho I might send for the lawyer, if I pleased. And David came to see me, as I was sitting in the tapglum as you please, between two policemen.

66

"Why, policemen," says he, as soon as he "what's all this about?"" Revenue case," s "Let's look at your warrant," says he; and he over in his hands. "All right," says he. "Now, you want me to do?" turning to me. "Well, si to have my trial like an Englishman," says I. said, "it tells me there, in that paper, as you h convicted already before the magistrates of the Blamarginshire." Never," says I; "no such never had my trial." "Well, that doesn't matter." "if you get out of the way, and don't appear, you yourself to thank." "But I was never summoned ing." "That's difficult to prove," he says, dryly, swear you was, unless you can make out an ali don't deny being in Blamarginshire when this took Well, I thought it over, and I couldn't deny but wh been there, having stopped there a week or so on to see if I could get a job to suit me. "Well, the he, "I'm sorry to say, if you can't pay the pena costs, two hundred and seventy-five pounds, you m prison." "And even that wouldn't do," says th man; "for there's another warrant out agains "And what's that for?" "For assaulting the Says I, "You're a parcel of lying scoundrels: a legged as I am, I'll fight you, to prove the truth words." "Oh, hush!" says the lawyer, laying on my arms. "Why," says I, "is it feasible, as a p chap like me should go and assault the excise?”ˆ days he, laughing, "it's within the bounds of ima But," he says, "if you really say you ain't the go and see Mr. Gauger, and ask him if he's quite c he's got the right end of the stick."

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Well, it was no manner of use, the exciseman wa he was right as if he'd been omniscious. "I've got he, "he's giv' me a deal of trouble; they're a bad railway chaps, and I'll make an example of him. his not being the man, why that's what they all say as many aliases as thieves," says he, "but we've man tight, anyhow, and we'll keep him." There w ing more to be done, and they took me right off to gin Castle, and locked me up in prison. And M stuck to me like a brick, and drove all the way at a hired car, and stopped the night at Blamargi ready for the court next day.

For you see they was obliged to bring me before t istrates through the warrant for the assault, els have had me in limbo up to now, I dare say.

Well, I spent a bad night, I can tell ye. You s right in the middle of my work, everything hangi me, all my money in the mud as you may say, and as could pick it out. And Mr. Tracey depending work being finished too, and would have no merc now, through having been deceived in me, as he'd was almost as bad a night as I'd had under the roo though I knowed I was innocent, I knowed too as would believe as I was.

to th Next morning, at eleven, I was walked up house, and there was the magistrates sitting all of little man with a big nose being the principal of the a white-haired gent with a pleasant rosy face comis And alongside the magistrates, who should be sit Mr. Tracey. And I felt reg'lar ashamed of mysel

1874.]

SHIRLEY should see me like this, and could hardly hold up my head.

There was a flashy young lawyer jumped up as said he represented the Crown, and Mr. David sat at the other end He was a fat-faced little of the table, and represented me.

chap, with a merry, twinkling eye, and a round paunch, in a gray tweed suit as he'd slept in the night afore. But he was all there, every bit of him, sharp as a needle. First they put up a young chap who it seems was training for the and he gave his evidence, and told the excise businessgents all about it. How he had information, two months that a man they called Peg-leg had set up, within the ago, #last few days, a kind of sly grog shop; how he'd gone there with a spirit level in his hand, pretending to be one of Mr. Tracey's men, and got served with a glass of whiskey, for which he'd paid fourpence. How he'd been served by a Eg one-legged man, who he intensified as the prisoner at the bar, and who seemed to be the master of the house.

66

"And what particular reason have you," says the lawyer for their side, casting a sort of a sweeping glance round the court, as much as to say, Here's a clincher for them, "what Well," particular reason have you for intensifying him?" " says the young man, "when I first went into the shop the man had taken off his wooden leg, and was sitting without shoe or stocking on, and smoking a pipe. And I took up the leg," he says, "and observed," says he, " as it had the initials upon it, P. L. B., and I made a note of that and told the supervisor about it afterwards, and he tells me that Stop," said this man's leg is marked in the same way." "You're "Gentlemen, I object." Mr. David, jumping up. quite right," said the magistrate with the big nose, "that's not evidence, and we shall dismiss it from our minds." After "Well! I shall call the supervisor to prove that," then "Now, as to the assault. said the other lawyer. you had drunk your whiskey-you did drink it, eh?" "It didn't choke you go"Yes, sir," said the young man. ing down, eh!" said the lawyer, looking round to the 'sem"You see I'm not one with these as much as to say, blage, chaps, although I'm bound to work for 'em."

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But the little magistrate caught him up sharp and told him not to waste time; and then the lawyer pulled up his shirt-collar and looked as if he could say a good deal if he "Well, after And he went on. chose, but wouldn't. you'd drunk your whiskey you told him who you really "And what happened then?" were?" "Yes, I did, sir." "He called me a bad name, sir, and jumped up and said What, on one leg? did he'd kick me out of the place." "Screwed he jump up on one leg?" cried the little magistrate. "No, he'd got his leg strapped on by that time, sir?" on by that time, ah; well, what followed?" went on Mr. Lawyer. "I dared him to do it, and he made at me and I "He did, you ?" "And did he actually kick ran out.' sir." "You're quite sure that a kick was actually delivered?" "I've proof positive, sir. I've got it in my hand, str; "here the young man hastily undid a brown-paper "The floor of parcel, and drew out a black cut-away coat. the shop was a fine white clay, sir, and rather damp, and you'll perceive that the man's foot left a clear impression upon the skirt of my coat. I've kept it carefully ever The young man held up the coat for the magistrates to see, and there, sure enough, was the print of a naked foot, two dabs of white for the heel and ball of the foot, and then the marks of the five toes, all in a row.

since.

I was quite bewildered-like for a minute, knowing as no such thing had ever happened; and then all of a sudden it struck me what the truth of it was. They'd took me for Sam but how was I to prove the difference? Stop a bit! and with that I makes signals to Mr. David, and he jumps up and comes over to the dock and I whispers something in his ear. He nods several times, and his eyes twinkles like di'monds and he goes back to his seat.

"Well!" says the other lawyer, stroking his mouth with the palm of his hand, as if he was trying to get the creases "Ha, hum! I don't want to ask you anything out of it. more." So he sits down, and up jumps my man, full of fight. Allow me," says he, "to have a look at that coat as you Certainly," says the hold in your hand, witness!"

66

BROOKS.

549 "Ha!" says my

"I've sworn

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young man, politely, and hands it over.
little lawyer, holding up the coat as if he was an old-clothes-
man. "That's a pretty plain footprint. You're quite
sure you didn't make them marks yourself?"
otherwise," says the young man, quite dignified. "Hum,
sworn otherwise; you swear in fact that this footprint was
indented by the man who assaulted you?" "I do, most sol-
"You'll observe gents," said Mr. David, hold-
"Eh, ah, yes!
emnly!"
this is the impression of a right foot."
ing up the coat before the eyes of the magistrates, "that
says the hook-nosed gent, looking through his gold eye-
glass. "Clearly we can see that for ourselves." "I think,"
cuts in the other lawyer, with a grin on his face, "my
friend will find it is the wrong foot for his client." The
excise seemed to relish this joke amazing, and likewise the
police, but little David looked at them quite scornful.
defendant, will
Says he in a soft, oily voice, “Robert
you have the kindness to show the magistrates your right
foot!" Whereupon I whisks my peg-leg on the top of the
rail of the prisoner's dock.

You never saw people look as blank as them as was
That young chap as went and proved too
against me.
much got it hot, I expect, from his gauger, and that was
nothing, I reckon, to what the super got from his head-
quarters. Their lawyer did his best for them, I must say.
First, he pooh-poohed the count altogether; it wasn't an
element in his case at all, he said; and when he saw that
wouldn't do, he tried to make out that people's toes weren't
always on the inside edge of their feet. Then he put it
that p'r'aps, being a one-legged man, I'd got a right foot on
left leg. At that I offered to show the gents my other
foot, but they didn't want that. The magistrates said that
clearly the excise had made a mistake, and they hoped I
should be properly compensated for what I'd suffered, and
so they set me free without more ado.

my

And when that job was finished Tracey beckoned me aside into a corner of the room, and says he, "Who was "How can I tell, “Ab,” it, Bob, that did it? Was it Sam?" Mr. Tracey?" says I; "it warn't me, anyhow." the two wooden legs, P. L. says he, "I remember now B. Well," he says, looking quite solemn all in a minute, and let "you've made a better use of yours than Sam did. But for expenses, you Bob," says he, "here's a fiver for it be a warnin' to you, and don't you go breaking the law." Whereupon I thanked him, and said I never would, and didn't neither, as long as I was in that part of the country, for there was eyes upon me all round after that, as you may be sure.

SHIRLEY BROOKS.

BY JOSEPH HATTON.

AN early spring day. The scene, Kensal Green CemeA blackbird is singing in a yew-tree. A bright tery. sequent motion of a butterfly. A March breeze is wanyellow crocus-leaf flutters in the air with the idle, incondering through this marble city of the dead. The sun looks down upon a newly-covered grave: its beams fall on the foot-prints of a score or two of mourners who half an hour before had stood there looking, with tearful eyes, upon the coffin of Shirley Brooks. It was a sad, sad picture. I found myself alone, with the emblems of the melancholy business at my feet. A spade, a pick-axe, a ladder, two ropes, a broom, half a dozen planks, a shed which had protected the officiating parson from the March wind. And a newly-filled grave! Truly a picture to make one feel that, say what we please in our philosophical way, death is a terrible thing. To be alone; to be left there outside the fireside circle, beyond the influences of the social club; to remain day and night in the cold earth of that silent city; and to decay! I confess all this to me makes death an ordeal to shudder at. The only consolation after that of the hope of a happy future state is the leaving behind, among the living, a memory

accepted the mission to Russia, Asia Minor, and His letters, which appeared in the Chronicle, wer interesting facts and picturesque descriptions. Th afterwards published under the title of the "Ru the South," forming one of the most attractive vo Mr. Longman's “Traveller's Library."

worth preserving; a memory around which shall hang | book entitled "Claret and Olives." Mr. Shirley some sweet perfume of love and friendship; a memory that shall be cherished by men and women who have learned, while highly estimating our good qualities, to forget our faults and shortcomings. Shirley Brooks lies in the great silent city with the known and the unknown: but his name and fame are cherished at the friendly hearth; are kept green by public gratitude; and, mixed up with the history of the age in which he lived, are treasured in the hearts of many friends.

Asked to pay this memorial tribute to his memory, I comply with a sense of my own deficiency for such a task. Charles Shirley Brooks was born in the year 1815, in Doughty Street, Mecklenburgh Square. His father was the architect who built, among other edifices, the London Institution, Dudley Church, and the Missionary College. Educated at Islington by the Rev. J. T. Bennett, Mr. Brooks, in due course, was articled to a solicitor, his relative, Mr. Charles Sabine, at Oswestry. He completed his articles with another relative, Mr. Sheffield Brooks, in London. (Probably his friend the late Mr. Charles Dickens made a note of this name when he wrote " David Copperfield.") He passed a most creditable examination before the Incorporated Law Society. Being duly qualified to practise, Mr. Brooks for some time managed the conveyancing department of his uncle's business, and read for a few weeks in the chambers of Mr. William Parker, a learned and well-known Queen's counsel. He does not appear to have cared much for the legal profession, and, like many other young men commencing life in the law, he ended it with distinction in the republic of letters. Mr. Shirley Brooks began his literary career by dropping articles anonymously into editorial letter-boxes, and obtaining gradual recognition and approval. One of the first newspapers to accept his leaders was the Argus, a journal which included upon its staff some of the smartest writers of the day, with Dr. Maginn as their chief; but he told the present writer that the late editor of the Morning Chronicle was the first journalist to give him practical and serious encouragement.

From the moment that Mr. Brooks saw his way to ob taining reasonable employment in literature, he gave up the law and devoted himself to the profession of letters. He contributed to Gavarni in London, The Man in the Moon, The Month, Gilbert à Beckett's Almanac of the Month, and other periodicals. He also devoted himself to dramatic writing, The Haymarket, Lyceum, and Olympic theatres accepted his pieces, among the most important of which are the "The Creole," "Honors and Tricks," "The Guardian Angel," "The Wigwam," "Our New Governess," "At the Great Exposition," and "Anything for a Change." At the close of a social dinner some time ago, Mr. Brooks stated that he had "written as many plays as Shakespeare, only they were not so well known." In the midst of his dramatic success, the late Mr. Angus Reach introduced him to Mr. Douglas Cooke, who was then the editor of the Morning Chronicle. A number of books were placed in the young author's hands for review, and Mr. Cooke formed such a high opinion of his work that he enlisted his services for other departments of the paper, and finally gave him the appointment of summary writer for the Chronicle in the House of Commons.

Mr. Shirley Brooks held this position for five sessions, thus adding to his general knowledge a store of political and personal facts which he afterwards turned in many ways to good account; more particularly we are indebted to the experience obtained at this time for the point and chic of the "Essence of Parliament," which for some years has been a leading feature of Punch. He also wrote two lectures on the House of Commons, which he delivered with success at Bristol and other provincial cities. Daring the intervals of his gallery engagements, the directors of the Chronicle decided to send a commission to inquire into the state of agricultural labor abroad. Mr. Angus Reach undertook the inquiry in France; and the literary result of his journey was, after filtering through the columns of the Chronicle, made up into a charming little

Mr. Edmund Yates, in an admirable sketch Observer, says, "It was in the summer of 1851 Brooks first commenced his connection with Punc association was mainly brought about through th mentality of Mr. Douglas Jerrold, in a manner w highly creditable to him. It was the practice younger writers in those days to satirize Mr. Je what they called his pseudo-philanthropy and opinions; and in a number of The Man in the A peared a set of verses commencing, "Up, up, thou dreary hunchback, ere his diamond pi

-

Sucks in Aurora's habit-shirt, there's business to b and valiantly attacking an article in Punch, in w respectful allusion had been made, it was held Queen. Mr. Jerroid saw these verses, and, admiri vigor and talent, was magnanimous enough to over onslaught on himself. He recommended that th should be sought out, and, new blood being req Punch, warmly recommended that Mr. Bro proved to be the author, should be engaged. T menced an intimate friendship between Mr. Br Mr. Jerrold, who, on the occasion of the farewel given to Mr. Thackeray on his departure for proposed his new comrade's health in a speech, ch izing him as the most rising writer of the day.""

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Mr. Brooks's contributions to Punch were as v character as they were charming, piquant, and His prose work was characterized by a nice de point and manipulation which cannot be mistaken who understand the various styles of the Punch For many years past he must be credited with the b and most graceful verses in this periodical, althou author never himself claimed to rank as a poet. a peculiar power of imitation which frequently ma itself in playful burlesque of the mannerisms writers. An excellent illustration of this may be in the following lines, selected from a poem which a almost simultaneously with "Hiawatha." It was I believe, at a sitting. While it has all the fun an of burlesque, it evinces a warm appreciation of th nal, and contains lines not unworthy of comparis Longfellow's own poem:

"You who hold in grace and honor,
Hold as one who did you kindness
When he published former poems,
Sang Evangeline the noble,
Sang the golden, golden legend,
Sang the songs the voices utter
Crying in the night and darkness;
Sang how unto the Red Planet
Mars he gave the Night's First Watches,
Henry Wadsworth, whose adnomen
(Coming awkward, for the accents,
Into this his latest rhythm)
Write we as Protracted Fellow,
Or in Latin, Longus Comes,
Buy the song of Hiawatha."

As an example of what he used to call his n rhymes, may be quoted some curious stanzas on t perzand, which he posted to me in proof, as so that had really amused the author himself:

"But he is dear in old friendship's call,

Or when love is laughing through lady-scrawl,
'Come & dine & have bachelor's fare.
Come & I'll keep you a Round & Square.'
Yes, my nice little Amperzand
Never must into a word expand
Gentle sign of affection stand,
My kind, familiar Amperzand.

"Letters Five' do form his name:

His, who millions doth teach and tame.
If I could not be in that Sacred Band,
I'd be the affable Amperzand.
Yes, my nice little Amperzand,

And when P.U.N.C.H. is driving five-in-hand,
I'll have a velocipede, neatly planned,

In the shape of a fly-away Amperzand."

The lines are not unworthy of "Alice in Wonderland," book which elicited the warmest admiration of Mr. Shirley Brooks, who made frequent references to it in Punch. He had no jealousies. There was no man readier to acknowledge and applaud talent whenever he met it. Many an author, actor, and artist can testify to this, in encouraging letters written to them by one of the most genial and charming of correspondents."

A few years ago, during a post-prandial conversation with Mr. Shirley Brooks, I found that he possessed an intimate knowledge of the old dramatists. I suggested to him that he should write a series of Tales from the Old Dramatists," upon the model of the Shakespearian tales of Charles Lamb, and after some persuasion he consented to contribute a series to an old magazine, which I was then striving to revive and modernize. He wrote three articles which may be fairly mentioned as models of this kind of dramatic story-telling. But among his most charming contributions to serial literature was a dialogue which he wrote for me in this same periodical, called "Two of our old Subscribers," and concerning which I had a chat with him walking down from Kent Terrace to Cavendish Square, only comparatively a few days before his death. He said, that although he regarded the essay as a mere trifle, the writing of it had given him a peculiar pleasure. He loved the Johnsonian period of literature, and his appreciation of it frequently showed itself, not only in Punch, but in his general work. Here is an extract from a dialogue which he wrote for me six years ago. It is part of an im. aginary conversation between Dr. Johnson and Mr. Boswell at the Mitre Tavern in June, 1763:

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Dr. Johnson. Sir, converse like a man of the world. Of what does an officer's talk consist if you take away his oaths, bis intrigues, his gambling, and his grudges against his superiors?

Mr. Boswell. - 'Tis too true, sir.

Dr. Johnson. - What is too true, sir? I have affirmed nothing. I have simply asked a question.

Mr. Boswell. Are you not too hard upon me, Dr. Johnson? The answer was surely implied in the question. Dr. Johnson. · Neatly retorted, sir, and I was wrong. Mr. Boswell. - Nay, sir, I am more humbled that you should say so much. Might I add, that if for a moment I seemed to express myself lightly, it is not my habit, and I come from a country which, though as yet it has failed to secure the honor of Dr. Johnson's admiration, is at least famous for its love of religion.

Dr. Johnson. That, sir, I deny. The Scotch hold by a gloomy superstition which has affinity with a narrow and provincial nature, and to this the obstinacy of their race bids them cling with tenacity, when its abandonment is not demanded by considerations of self-interest. Enough of this. There is a place for all things.

Mr. Boswell. Allow me to fill your glass, sir. It is difficult for me to express the happiness which I feel in being thus permitted the enjoyment of your society.

Dr. Johnson. No one has asked you to express it, sir. Yet a cultivated man should be ashamel to own that he is not the master of language in which to convey his sensations to another. I drink to your good health and your worldly fortune.

Mr. Boswell.-My fortune in both worlds, you would say, sir.

Dr. Johnson (sternly). — I would say nothing of the

kind, sir; nor would I be guilty of coupling spiritual affairs with a tavern toast.

Mr. Boswell. -Your rebuke is just, sir; and I feel that I was wrong in venturing to amend a sentiment proposed by yourself.

Dr. Johnson. That is a secondary consideration, sir; and if you don't see where the real offence lay, I am sorry for you. I hear from Davis that you have resigned your intention to enter the Foot Guards, and I hope you will begin to think more seriously on religious matters than an officer is likely to do.

The dialogue in Punch on the opening of Blackfriars Bridge, November 6th, 1869, was from the same graceful pen. I have a printer's proof of it, with the following passage marked for my especial edification:

Dr. Johnson. —Let me but pronounce a moral. One hundred years have passed since I, doing what I had to do in the best way I could, wrote down my mind. My work was sound, and after a hundred years it is remembered for me, and proclaimed. Let all who have work to do, do it with all their might.

While Dr. Johnson's name is quoted with the wellknown request, "Let us take a walk down Fleet Street," Shirley Brooks is credited with the saying, that "A walk from Temple Bar to St. Paul's is a liberal education."

669

Mr. Brooks was a regular attendant at the Punch dinners. His ready wit and humor, his keen observation and journalistic acumen were frequently of great service in settling the subject of the cartoon. It is well known that this matter forms the chief discussion of the weekly meeting which takes place at Whitefriars. When any difficulty arises, the final decision is invariably left in the hands of the editor. While Mr. Shirley Brooks may be credited with suggesting many telling cartoons, Mr. Mark Lemon, the late judicious editor, may as frequently be mentioned for his wise adaptation and development of a good idea. Perhaps one of the happiest of the subjects which Mr. Shirley Brooks suggested was that, during our great dispute with America, depicting Jonathan as a 'possum up a tree," with Mr. John Bull standing at the foot ready to fire, the 'possum expressing its intention, Mr. Bull being in earnest, of coming down. It may be mentioned in passing, that although the Punch men have now and then let fly a shaft at Jonathan, they have on many occasions exhibited an intense and affectionate sympathy for America. To visit America was one of the unrealized dreams of Mark Lemon's life, and at one time Shirley Brooks encouraged a vague hope that he might one day tell our brothers across the Atlantic his story of the British House of Commons. But life is made up of hopes unfulfilled; nothing in it can be counted on as certain but the last sad scene of all.

In addition to his Punch work, Mr. Shirley Brooks was a general and miscellaneous contributor to newspapers and to periodical literature. For many years he wrote the first article in the Illustrated London New, and recently he contributed to that journal a charming chatty column called " Nothing in the Papers." He wrote the introductory verses which heralded the commencement of Once a Week. The poem was illustrated by the author's friend Mr. John Leech.

"The world is too much with us for resistance
To importunities that never cease:

Yet may we bid it keep its distance,

And leave us hours for holier thoughts and peace;
For quiet wanderings where the woodbine flowers,
And for the Altar, with its teachings meck;
Such is the lesson of this page of ours,

Such are the morals of our 'Once a Week.'"

In the palmy days of that excellent periodical, Shirley Brooks was a constant contributor; he wrote occasionally for London Society, and was the author of those poetic lines of encouragement and hope addressed to Edmund Yates, which that gentleman printed on the first page of Tinsley's Magazine. He wrote the Era summary for many years, and for a short time was editor of the Literary Gazelle.

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