History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
Din interiorul cărții
Rezultatele 1 - 5 din 76
... women to gather together in public for the sake of entertainment, it would attack the traditional forms of communal life in Geneva such as the strictly separated 'circles' of men and women. Moreover, it would also contravene 'natural ...
... women to gather together in public for the sake of entertainment , it would attack the traditional forms of communal life in Geneva such as the strictly separated ' circles ' of men and women . Moreover , it would also contravene ...
... woman , first offering for the ship's sake . ( Agamemnon 218-26 ) Similarly , Clytemnestra does not sully her hands ... women ; since his heart is female ; or , if it be not , that soon will show . ( The Libation Bearers 297-304 ) For ...
... women ( The Libation Bearers 302-4 ) . His matricide thus frees the state from tyranny : You liberated all the Argive city when you lopped the heads of these two snakes with one clear stroke . ( 1045-6 ) Although the consequences of ...
Ți-ai atins limita de vizualizări pentru această carte.
Cuprins
8 | |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |