History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
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... turn of the century – Ibsen, Strindberg, Chekhov and Stanislavsky The twentieth century – Craig, Meyerhold, Artaud, O'Neill, Pirandello, Brecht, Beckett and Müller Anyone interested in theatre throughout history and today will find this ...
... turn of the century - Ibsen , Strindberg , Chekhov and Stanislavsky The twentieth century - Craig , Meyerhold , Artaud , O'Neill , Pirandello , Brecht , Beckett and Müller Anyone interested in theatre throughout history and today will ...
... turning the spectator into a feeling being . In terms of our investigation , this would mean the actor's skill in ... turn theatre into a liminal space which gives the spectator the opportunity of testing new identities and acting ...
... turn into factors of identity which could drive body and name into the background.9 Body and name are thus permanently associated with the problem of identity . In this sense , it can be assumed that the fundamental structure of drama ...
Erika Fischer-Lichte. performance of a drama does indeed turn theatre into a liminal space which both enables and initiates a change in identity . At first sight , this apparently systematic analysis reveals two serious problems . On the ...
Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |