History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
Din interiorul cărții
Rezultatele 1 - 5 din 78
... true naturalness, her appearance is unseemly ... Whatever she does, the gaze of the public eye is not the place for her.'1 But, for Rousseau, even the male identity is endangered by theatre. Because its 'main interest ... is love' (p ...
... true naturalness , her appearance is unseemly Whatever she does , the gaze of the public eye is not the place for her . " 1 But , for Rousseau , even the male identity is endangered by theatre . Because its ' main interest ... is love ...
... , as the argu- ments until now would seem to suggest . For we have yet to take into account the intense corre- lation between performativity and textuality which is constitutive of European theatre . It is true 4 INTRODUCTION.
Ne pare rău, conținutul acestei pagini este restricționat.
Ne pare rău, conținutul acestei pagini este restricționat.
Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |