History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
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... Nature ! Nature ! Nothing is so like Nature as Shakespeare's figures ' From the mutilation of the hand to the mutilation of freedom 170 171 The self - castration of creative nature 176 Symbol of the species From fragment to whole The ...
... Nature' (p. 246) and cut them off from traditional ways of life being passed down to them. It threatened the cultural, gender and, ultimately, also the individual identity of the Genevans. In order to preserve their sense of identity ...
... Nature ' ( p . 246 ) and cut them off from traditional ways of life being passed down to them . It threat- ened the cultural , gender and , ultimately , also the individual identity of the Genevans . In order to preserve their sense of ...
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Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |