History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
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... individual 284 Theatre as art - the actor as Über - Marionette 284 Theatre as production - the actor as engineer 288 Theatre as ritual - the actor as hieroglyph 294 Beyond the individual 298 The dead as the curse of the living ...
... individual identity of the Genevans. In order to preserve their sense of identity, Rousseau believed, they should ... individual and social life at whatever cost. It is this which forms the basis of the difference between individuals ...
... individual and social life at whatever cost . It is this which forms the basis of the difference between individuals , between the sexes , between cultures . It is this concept of identity which guarantees such differences and makes any ...
... individual aspects with other genres or be quite different from them , but also that the fundamental theatrical condition is constitutive of all cultural performance in general . In this sense , it can be understood as the symbolisation ...
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Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |