History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
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... identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered and individual concepts of identity. Erika Fischer-Lichte's topics include: Ancient Greek theatre ...
... identity - from the rites of May to ' rite of passage ' The loss of identity in chaos : the end of the world The seducer , the martyr and the fool - theatrical ix 1 1 8 11 18 25 ∞∞ = × 1 8 8 23 www 33 33 35 40 46 50 633 70 5550 ...
... identity of the inhabitants of Geneva, perhaps even destroy it altogether. His objections concerned both the structure and the content of theatre. Because theatre encourages both men and women to gather together in public for the sake ...
... identity of the inhabitants of Geneva , per- haps even destroy it altogether . His objections concerned both the structure and the content of theatre . Because theatre encourages both men and women to gather together in public for the ...
... identity , and forfeits any kind of identity so that he has stopped being a person at all . The concept of identity which developed in the eighteenth century and dominated the European discourse on identity until well into the twentieth ...
Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |