History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
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... experienced and lamented as a falsification of that which is authentic, as the loss of identity. And, thus, it is hardly surprising that Rousseau believed that the actor represented a consummate example Acknowledgements Introduction ...
... experienced and lamented as a falsification of that which is authentic , as the loss of identity . And , thus , it is hardly surprising that Rousseau believed that the actor represented a consummate example of one who has no identity of ...
... experiences . They are bound to a highly symbolic experience of transition or transgres- sion of boundaries , which Victor Turner later described as liminality ' . They are usually organised into three phases : 1 2 3 The separation ...
... experience theatre as a type of liminal space . As Diderot shows in Paradox of the Actor ( 1769-78 ) , the actor's skill is to create the illusion of a man experiencing certain emotions without being moved by those emotions himself ...
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Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |