History of European Drama and TheatreRoutledge, 11 sept. 2002 - 416 pagini This major study reconstructs the vast history of European drama from Greek tragedy through to twentieth-century theatre, focusing on the subject of identity. Throughout history, drama has performed and represented political, religious, national, ethnic, class-related, gendered, and individual concepts of identity. Erika Fischer-Lichte's topics include: * ancient Greek theatre Anyone interested in theatre throughout history and today will find this an invaluable source of information. |
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... allows him to cultivate his identity in any way . It follows that , for Plessner , the actor is understood to be the ... allow someone to say ' I ' , which provide him with an awareness of his self and in this sense , a self ...
... allows him / her to make new and in part disturbing experiences , and enables him / her to try on or act out different kinds of identity , until s / he is ready and prepared to take on a new identity . The incorporation phase , in which ...
... allows him to play with different identities and possibly even encourages him to make a change to his identity . Whilst in rites of transition it is generally the ' actors ' who are to be transformed , in theatre , it is principally the ...
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Cuprins
Theatre and the polis | 8 |
The magic body | 33 |
The frail and tortured body | 40 |
the suppression of popular culture | 46 |
1 | 72 |
23 | 79 |
Honour disgraced and the forfeit of mercy | 86 |
Popular theatre between religious and court theatre | 92 |
THE RISE OF THE MIDDLE CLASSES AND | 146 |
The loving father and his virtuous daughter | 155 |
the seducer and the mistress | 161 |
THEATRE OF THE NEW MAN 284 | 165 |
The mutilated individual | 170 |
Beyond the individual 298 | 171 |
The selfcastration of creative nature | 176 |
Symbol of the species | 182 |
From the theatrical to social roleplay | 129 |
Theatre as a model of social reality | 136 |
The transition from man into God | 190 |