The SAGE Handbook of Performance Studies

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D. Soyini Madison, Judith Hamera
SAGE, 2006 - 554 pagini
The SAGE Handbook of Performance Studies brings together, in a single volume, reviews of the major research in performance studies and identifies directions for further investigation. It is the only comprehensive collection on the theories, methods, politics, and practices of performance relating to life and culture. Edited by D. Soyini Madison and Judith Hamera, this Handbook serves scholars and students across the disciplines by delineating the scope of the field, the critical and interpretive methods used, and the theoretical and ethical presumptions that guide work in this exciting and growing area.

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Cuprins

Queers Punks and the Utopian Performative
9
Never Again
21
Performance and Globalization
33
Performance Performativity and Cultural Poiesis in Practices of Everyday Life
46
PERFORMING
65
Genealogies of Performance Studies
73
A Performance Praxis
87
MidNineteenth
106
Ambulant Pedagogy
278
New Intersections
296
Unlocking the Doors for Incarcerated Women Through
309
Performance and Ethnography
339
Dwight Conquergoods Rethinking Ethnography
347
Leon Forrests Divine Days
366
Staging FieldworkPerforming Human Rights
397
Genealogies Politics Futures
446

What to Do When Nuclear War Breaks Out
124
Shifting Contexts in Personal Narrative Performance
151
Strategic and Aesthetic
169
The Strange Case of the Body in the Performance
188
From Performance
205
The Local Art of Adaptation
227
Performance and Pedagogy
253
Performance Punishment and the Death Penalty
464
Who Is This Ancestor? Performing Memory in Ghanas Slave
489
The Polemics and Potential of Theatre Studies and Performance
508
Index
527
About the Editors
547
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