The Sovereign Flower: On Shakespeare as the Poet of Royalism Together with Related Essays and Indexes to Earlier VolumesRoutledge, 28 oct. 2013 - 328 pagini First published in 2002. This is the final Volume IV of the five G. Wilson Knight collected works series and focuses on Shakespeare as the Poet of Royalism together with related essays and indexes to earlier volumes. The emphasis in this volume is the shift from Shakespeare as the poet of England to Shakespeare as the poet of royalism, in a wide sense. |
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Pagina 7
... present out of print : it will , I hope , eventually be reissued , perhaps with some additions . The composition of this final volume caused some trouble . The first intention was to start with a narrative account of my work during the ...
... present out of print : it will , I hope , eventually be reissued , perhaps with some additions . The composition of this final volume caused some trouble . The first intention was to start with a narrative account of my work during the ...
Pagina 8
... present purpose . " The Shakespearian Integrity , ' first published in The Burning Oracle in 1939 , constitutes my only compre- hensive statement on Shakespeare . Elsewhere I concentrate on this or that aspect , with all the attendant ...
... present purpose . " The Shakespearian Integrity , ' first published in The Burning Oracle in 1939 , constitutes my only compre- hensive statement on Shakespeare . Elsewhere I concentrate on this or that aspect , with all the attendant ...
Pagina 9
... present Poet Laureate , Mr John Masefield ; an inscribed copy of Mr T. S. Eliot's Marina , kindly presented to me on the publication of that exquisite poem in 1930 ; an accurate press report of a lecture on Shake- spearian tragedy ...
... present Poet Laureate , Mr John Masefield ; an inscribed copy of Mr T. S. Eliot's Marina , kindly presented to me on the publication of that exquisite poem in 1930 ; an accurate press report of a lecture on Shake- spearian tragedy ...
Pagina 27
... present , though sternly controlled , in this comparatively early work.1 England must be true to herself : that is the burden of Shakespeare's unsentimental patriotism . A characteristic blend of sharp criticism with patriotic fervour ...
... present , though sternly controlled , in this comparatively early work.1 England must be true to herself : that is the burden of Shakespeare's unsentimental patriotism . A characteristic blend of sharp criticism with patriotic fervour ...
Pagina 75
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Cuprins
7 | |
Well | 93 |
Whats in a Name? | 161 |
A Literature and the Nation | 263 |
cA Royal Propaganda | 273 |
The Second Part of King Henry VI and Macbeth | 280 |
E The Principles of Shakespeare Interpretation 1928 | 287 |
A Shakespearian Works | 297 |
General | 318 |
Termeni și expresii frecvente
action already Antony and Cleopatra appears balance becomes Bertram blood Caesar called Christian close comes Compare contrast criticism Crown death dramatic effect Elizabethan England English especially evil exists express eyes father feel felt final follow force given gives greater Hamlet hand hath heart Heaven Helena Henry hold honour human imperial important interpretation Italy King Lear later less lines live lord Macbeth matters meaning Measure mind nature never once Parolles peace perhaps phrase play poetic poetry positive present Prince recalls recognize reference regard Richard Roman royal royalty scene seems seen sense sexual Shakespeare's Shakespearian significance speak speech spiritual suggestion symbolic Tempest theme thing thou thought throughout Timon tragedy tragic true turn universal values virginity virtue whole young