Developing Your Speaking VoiceHarper, 1953 - 506 pagini |
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Pagina 212
... pronunciation , accuracy on consonants is not enough . We need to know a number of things about vowels and diphthongs . Thus we should ( 1 ) know how the different vowels and diphthongs are made ; ( 2 ) be able to hear fine shades of ...
... pronunciation , accuracy on consonants is not enough . We need to know a number of things about vowels and diphthongs . Thus we should ( 1 ) know how the different vowels and diphthongs are made ; ( 2 ) be able to hear fine shades of ...
Pagina 216
... Pronunciation 1. Good pronunciation is not showy . In general , that pro- nunciation is best which attracts least attention to itself . If a conversationalist , in recounting some thrilling or amusing anec- dote , is greeted by such a ...
... Pronunciation 1. Good pronunciation is not showy . In general , that pro- nunciation is best which attracts least attention to itself . If a conversationalist , in recounting some thrilling or amusing anec- dote , is greeted by such a ...
Pagina 218
... pronunciation is largely a matter of adapting oneself to the cultured element in the environment . ACQUIRING GOOD PRONUNCIATION HABITS Pronunciation difficulties can be overcome by care and atten- tion , not attention only when the ...
... pronunciation is largely a matter of adapting oneself to the cultured element in the environment . ACQUIRING GOOD PRONUNCIATION HABITS Pronunciation difficulties can be overcome by care and atten- tion , not attention only when the ...
Cuprins
You and Your Voice | 1 |
The Four Basic Phases of the Speech Process | 23 |
How the Voice Box Works | 28 |
Drept de autor | |
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Termeni și expresii frecvente
action Alfred Noyes articulation audience become Blynken breath stream called consonants conversation diacritical mark diphthong Don Blanding emotional Enunciate the following example exercises exhalation express FAULTS AND DANGERS feel fingers following sentences clearly following words Franklin D give habits hand hear heart human voice Initial Medial Final laryngopharynx larynx lines lips listening look LORD TENNYSON lower MACBETH meaning mind monotony mouth muscles nasal consonants nasal resonance nasopharynx nature never pauses person pharynx Phonetic phrases pipe organ pitch poem poetry practice pronounced pronunciation reading relaxed Repeat the following rhythm singing sleep slides soft palate speaker speaking voice speech stage fright student syllables talk tense thee thing thou thought throat and jaw tion tone production tongue vibration vocal cords voice quality vowel sounds W. S. GILBERT waves wind WINSTON CHURCHILL