Liber Amoris: And Dramatic CriticismsP. Nevill, 1948 - 426 pagini |
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Pagina 205
... Iago , and rankling there to poison , till he loses all command of himself , and his rage can only be appeased by blood . She is in- troduced , just before Iago begins to put his scheme in practice , pleading for Cassio with all the ...
... Iago , and rankling there to poison , till he loses all command of himself , and his rage can only be appeased by blood . She is in- troduced , just before Iago begins to put his scheme in practice , pleading for Cassio with all the ...
Pagina 207
... Iago , the pity of it ! ' This returning fondness , however , only serves , as it is managed by Iago , to whet his revenge , and set his heart more against her . In his conversations with Desdemona , the persuasion of her guilt and the ...
... Iago , the pity of it ! ' This returning fondness , however , only serves , as it is managed by Iago , to whet his revenge , and set his heart more against her . In his conversations with Desdemona , the persuasion of her guilt and the ...
Pagina 214
... Iago . My noble lord . Othello . What dost thou say , Iago ? Iago . Did Michael Cassio , When you woo'd my lady , know of your love ? Othello . He did from first to last . Why dost thou ask ? Iago . But for a satisfaction of my thought ...
... Iago . My noble lord . Othello . What dost thou say , Iago ? Iago . Did Michael Cassio , When you woo'd my lady , know of your love ? Othello . He did from first to last . Why dost thou ask ? Iago . But for a satisfaction of my thought ...
Cuprins
On Actors and Acting Parts I and II | 147 |
Preface | 161 |
Page | 171 |
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actor admiration affection answer Antony Apemantus appear Banquo beauty better breath Caliban character Claudio comedy Cordelia Coriolanus Cymbeline dear death Desdemona dost doth eyes Falstaff fancy favour favourite fear feeling fool fortune friends genius give Gonerill grace Guiderius hand happy hast hath Hazlitt hear heart heaven Henry honour hope Hubert human Iago imagination Juliet king kiss lady Lear Liber Amoris live look lord lover Macbeth Malvolio manner Mark Antony Midsummer Night's Dream mind moral nature never night noble once Othello passages passion person pity play pleasure poet poetry prince refined Regan revenge Richard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare soul speak spirit stage Stendhal sweet tell tender thee things thou art thought Titus Andronicus tragedy true truth turn wish words Yorkshire Tragedy youth