The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag |
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James Chapman. The Original Rhythmical Grammar of the English Language 1976 Georg Olms Verlag Hildesheim New York Q Note The present facsimile is reproduced from a copy in James Chapman.
James Chapman. The Original Rhythmical Grammar of the English Language 1976 Georg Olms Verlag Hildesheim New York Q Note The present facsimile is reproduced from a copy in James Chapman.
Pagina
James Chapman. Note The present facsimile is reproduced from a copy in the possession of the British Library , London . Shelfmark : 12984. e . 13 K. S. Nachdruck der Ausgabe Edinburgh 1821 Printed in Germany Herstellung : fotokop wilhelm ...
James Chapman. Note The present facsimile is reproduced from a copy in the possession of the British Library , London . Shelfmark : 12984. e . 13 K. S. Nachdruck der Ausgabe Edinburgh 1821 Printed in Germany Herstellung : fotokop wilhelm ...
Pagina vii
... present in use . As the ground is thus totally unoccupied , the first traveller may , it is hoped , without being charge- able with unworthy motives of ambition , and with- out being accused of usurpation , lay claim to what no one ...
... present in use . As the ground is thus totally unoccupied , the first traveller may , it is hoped , without being charge- able with unworthy motives of ambition , and with- out being accused of usurpation , lay claim to what no one ...
Pagina viii
... adopting this system . 1. By this system , we learn to read and speak with the utmost accuracy , by principle ; at present we are taught these by rote and imitation . 2. By this we acquire , with great facility , viii PREFACE .
... adopting this system . 1. By this system , we learn to read and speak with the utmost accuracy , by principle ; at present we are taught these by rote and imitation . 2. By this we acquire , with great facility , viii PREFACE .
Pagina ix
... present , al- though we are in the constant use of these , in all reading and speaking , yet of the nature of most of them , and their influence , we know nothing . 3. By this , we have all these as evident before our eyes as the words ...
... present , al- though we are in the constant use of these , in all reading and speaking , yet of the nature of most of them , and their influence , we know nothing . 3. By this , we have all these as evident before our eyes as the words ...
Cuprins
1 | |
CHAP II | 17 |
CHAP III | 40 |
CHAP IV | 65 |
CHAP V | 82 |
CHAP VI | 91 |
Rhythm Ancient Rhythm whatEssentials | 100 |
CHAP IX | 116 |
Three hundred and eightyeight questions | 232 |
CHAP XV | 251 |
Set to the Music of Specch | 252 |
The Soldiers Dream Ditto | 260 |
The Contented Miller | 266 |
The Swollen Torrent | 274 |
Hohenlinden an Epic Song | 280 |
Set to the Music of Speech | 299 |
CHAP X | 128 |
CHAP XI | 142 |
CHAP XII | 153 |
CHAP XIII | 183 |
CHAP XIV | 222 |
Battle of Waterloo | 325 |
The Rainbow | 332 |
The Temple of Jerusalem | 338 |
Hamlets Directions to the Players | 345 |
Alte ediții - Afișează-le pe toate
The Original Rhythmical Grammar of the English Language: Or, the Art of ... Rev. James Chapman Vizualizare completă - 1821 |
Termeni și expresii frecvente
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force full melody grace notes Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllables honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proportion prose prosodians quantity reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words
Pasaje populare
Pagina 346 - Who is here so base, that would be a bondman ? If any, speak ; for him have I offended. Who is here so rude, that would not be a Roman ? If any, speak ; for him have I offended. Who is here so vile, that will not love his country? If any, speak ; for him have I offended — I pause for a reply.
Pagina 346 - Romans, countrymen, and lovers! hear me for my cause ; and be silent that you may hear : believe me for mine honour; and have respect to mine honour, that you may believe: censure me in your wisdom; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Pagina 345 - Nor do not saw the air too much with your hand, thus ; but use all gently : for in the very torrent, tempest, and (as I may say) whirlwind of your passion, you must acquire and beget a temperance that may give it smoothness.
Pagina 346 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him.
Pagina 347 - Here comes his body, mourned by Mark Antony: who, though he had no hand in his death , shall receive the benefit of his dying, a place in the commonwealth ; As which of you shall not ? With this I depart ; That, as I slew my bes't lover" for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.
Pagina 344 - She'd come again, and with a greedy ear • Devour up my discourse: which I, observing, Took once a pliant hour, and found good means To draw from her a prayer of earnest heart That I would all my pilgrimage dilate...
Pagina 345 - Now this overdone, or come tardy off, though it make the unskilful laugh, cannot but make the judicious grieve ; the censure of the which one, must, in your allowance, o'erweigh a whole theatre of others. Oh, there be players, that I have seen play, and heard others praise, and that highly, not to speak it profanely, that, neither having the accent of Christians, nor the gait of Christian, pagan, nor man, have so strutted, and bellowed, that I have thought some of nature's journeymen had made men,...
Pagina 343 - Their dearest action in the tented field, And little of this great world can I speak, More than pertains to feats of broil and battle, And therefore little shall I grace my cause In speaking for myself.
Referințe la această carte
"Rede, dass ich Dich sehe": Carl Gustav Jochmann und die Rhetorik im Vormärz Markus Fauser Vizualizare fragmente - 1986 |