Mansions of the Spirit: Essays in Literature and ReligionGeorge A. Panichas Hawthorn Books, 1967 - 414 pagini |
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Pagina 126
... tragic setting . . . . There is a sense in which the highest compliment we can pay to Shakespeare is to discuss his great plays as if they were also great novels.18 This involves Bayley in defending Othello against its detractors ...
... tragic setting . . . . There is a sense in which the highest compliment we can pay to Shakespeare is to discuss his great plays as if they were also great novels.18 This involves Bayley in defending Othello against its detractors ...
Pagina 128
... tragic sentiment , which sees man as both victim and culprit . The weakening of this doctrine inside theological circles because it was thought to be tied up with the literal acceptance of the Adam and Eve myth and incompatible with the ...
... tragic sentiment , which sees man as both victim and culprit . The weakening of this doctrine inside theological circles because it was thought to be tied up with the literal acceptance of the Adam and Eve myth and incompatible with the ...
Pagina 133
... tragic drama . The romantic vision of life is non - tragic . In authentic tragedy , the gates of hell stand open and damnation is real . The tragic personage cannot evade responsibility . To argue that Oedipus should have been excused ...
... tragic drama . The romantic vision of life is non - tragic . In authentic tragedy , the gates of hell stand open and damnation is real . The tragic personage cannot evade responsibility . To argue that Oedipus should have been excused ...
Cuprins
Preface | 11 |
PART I | 28 |
HYATT H WAGGONER Point of View in Ameri | 47 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Mansions of the Spirit: Essays in Literature and Religion George A. Panichas Vizualizare fragmente - 1967 |
Mansions of the Spirit: Essays in Literature and Religion George A. Panichas Vizualizare fragmente - 1967 |
Termeni și expresii frecvente
accept achieved action appear attempt awareness Bear becomes beginning believe called Camus century characters Christ Christian Church comes conception concerned criticism death described divine drama English essay evil example existence experience expression fact faith Fall Father feeling fiction finally forgiveness Franny freedom Genet gives Greek Greek tragedy hand human imagination interest kind knowledge Lawrence literary literature living man's meaning mind moral moving myth nature never novel objective perhaps person philosophical play poem poet poetry possible present problem question reality reason relation religion religious remains revelation ritual says seems sense society soul spirit story structure suffering suggest symbols theme theological things thought tion tradition tragedy tragic true truth turn ultimate understanding University values vision whole wisdom writes York