Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina 16
... possible to produce on glass , paintings which , in range of illumination , almost rival Nature . The intensity and purity of the tints which can thus be produced by direct transmission are far in advance of what can be ob- tained by ...
... possible to produce on glass , paintings which , in range of illumination , almost rival Nature . The intensity and purity of the tints which can thus be produced by direct transmission are far in advance of what can be ob- tained by ...
Pagina 17
... possible , except the purples , could be produced by this method . The colours generated in this way would not only pass by the gentlest gradations into each other , form- ing a long series of blending hues , but they would also be ...
... possible , except the purples , could be produced by this method . The colours generated in this way would not only pass by the gentlest gradations into each other , form- ing a long series of blending hues , but they would also be ...
Pagina 23
... possible afterward . The colours as seen in the spectroscope really succeed each other in the order of their wave - lengths , the red hav- ing the greatest wave - length , the violet the least . But the glass prism does this work in a ...
... possible afterward . The colours as seen in the spectroscope really succeed each other in the order of their wave - lengths , the red hav- ing the greatest wave - length , the violet the least . But the glass prism does this work in a ...
Pagina 28
... possible tints and hues find their type in some portion of the spectrum , and , as will be shown in the next chapter , this applies just as well to the whole range of browns and greys , as to colours like vermilion and ultramarine . We ...
... possible tints and hues find their type in some portion of the spectrum , and , as will be shown in the next chapter , this applies just as well to the whole range of browns and greys , as to colours like vermilion and ultramarine . We ...
Pagina 30
... possible lengths , act on the eye simultaneously , the sensation of white is produced . Let us suppose that by the first method a definite colour- sensation is generated , and afterward , by the second meth- od , the sensation of white ...
... possible lengths , act on the eye simultaneously , the sensation of white is produced . Let us suppose that by the first method a definite colour- sensation is generated , and afterward , by the second meth- od , the sensation of white ...
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.