Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina
... 2. 2 . Blue Red . Green Orange Blue Red . Ultr Orange Blue . Yellow Dark Yellow Purple Yellowish Green MIXTURE CHART COMPLEMENTARY COLOURS . ུ ན་ དགར TEUNAIONAL , SAMAN STUDENTS EXT - BOOK. Effects produced by mixing pigments .
... 2. 2 . Blue Red . Green Orange Blue Red . Ultr Orange Blue . Yellow Dark Yellow Purple Yellowish Green MIXTURE CHART COMPLEMENTARY COLOURS . ུ ན་ དགར TEUNAIONAL , SAMAN STUDENTS EXT - BOOK. Effects produced by mixing pigments .
Pagina
... Ultr Orange Blue . Yellow 6. Ultre Blue ARTIFICIAL . Dark Yellow Purple Yellowish Green Effects produced by mixing pigments . MIXTURE CHART COMPLEMENTARY COLOURS . May 28 , 1905 " .. INTERNATIONAL SCIENTIFIC SERIES .
... Ultr Orange Blue . Yellow 6. Ultre Blue ARTIFICIAL . Dark Yellow Purple Yellowish Green Effects produced by mixing pigments . MIXTURE CHART COMPLEMENTARY COLOURS . May 28 , 1905 " .. INTERNATIONAL SCIENTIFIC SERIES .
Pagina 14
... pigments : in point of fact , both paint with light , though , as we shall hereafter see , the total amount at the disposal of the painter is quite limited . In concluding this matter of reflection , we may perhaps 14 MODERN CHROMATICS .
... pigments : in point of fact , both paint with light , though , as we shall hereafter see , the total amount at the disposal of the painter is quite limited . In concluding this matter of reflection , we may perhaps 14 MODERN CHROMATICS .
Pagina 16
... pigments . The glass - stainer and glass - painter make use of the principle of the direct transmission of light for the display of their designs . Now , as painted or stained glass trans- mits enormously more light than pigments ...
... pigments . The glass - stainer and glass - painter make use of the principle of the direct transmission of light for the display of their designs . Now , as painted or stained glass trans- mits enormously more light than pigments ...
Pagina 21
... pigment , is a somewhat greenish- blue , being really identical with Prussian- G blue in colour , only far blacker . In the dry state this tendency to greenness is neu- tralized by the reddish tinge which the sub- stance sometimes ...
... pigment , is a somewhat greenish- blue , being really identical with Prussian- G blue in colour , only far blacker . In the dry state this tendency to greenness is neu- tralized by the reddish tinge which the sub- stance sometimes ...
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.