Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina
... Blue Red . Green Orange Blue Red . Ultr Orange Blue . Yellow Dark Yellow Purple Yellowish Green MIXTURE CHART COMPLEMENTARY COLOURS . ུ ན་ དགར TEUNAIONAL , SAMAN STUDENTS EXT - BOOK. Effects produced by mixing pigments .
... Blue Red . Green Orange Blue Red . Ultr Orange Blue . Yellow Dark Yellow Purple Yellowish Green MIXTURE CHART COMPLEMENTARY COLOURS . ུ ན་ དགར TEUNAIONAL , SAMAN STUDENTS EXT - BOOK. Effects produced by mixing pigments .
Pagina
... MIXING IT WITH WHITE LIGHT , · • 181 CHAPTER XIII . DURATION OF THE IMPRESSION ON THE RETINA , 202 CHAPTER XIV . MODES OF ARRANGING COLOURS IN SYSTEMS , 209 CHAPTER XV . CONTRAST , 235 CHAPTER XVI . THE SMALL INTerval and Gradation ...
... MIXING IT WITH WHITE LIGHT , · • 181 CHAPTER XIII . DURATION OF THE IMPRESSION ON THE RETINA , 202 CHAPTER XIV . MODES OF ARRANGING COLOURS IN SYSTEMS , 209 CHAPTER XV . CONTRAST , 235 CHAPTER XVI . THE SMALL INTerval and Gradation ...
Pagina
... . Ultr Orange Blue . Yellow 6. Ultre Blue ARTIFICIAL . Dark Yellow Purple Yellowish Green Effects produced by mixing pigments . MIXTURE CHART COMPLEMENTARY COLOURS . May 28 , 1905 " .. INTERNATIONAL SCIENTIFIC SERIES .
... . Ultr Orange Blue . Yellow 6. Ultre Blue ARTIFICIAL . Dark Yellow Purple Yellowish Green Effects produced by mixing pigments . MIXTURE CHART COMPLEMENTARY COLOURS . May 28 , 1905 " .. INTERNATIONAL SCIENTIFIC SERIES .
Pagina 8
... MIXING IT WITH WHITE LIGHT , • 181 · CHAPTER XIII . DURATION OF THE IMPRESSION ON THE RETINA , CHAPTER XIV . 202 · MODES OF ARRANGING COLOURS IN SYSTEMS , 209 CHAPTER XV . CONTRAST , 235 CHAPTER XVI . THE SMALL INTERVAL AND GRADATION ...
... MIXING IT WITH WHITE LIGHT , • 181 · CHAPTER XIII . DURATION OF THE IMPRESSION ON THE RETINA , CHAPTER XIV . 202 · MODES OF ARRANGING COLOURS IN SYSTEMS , 209 CHAPTER XV . CONTRAST , 235 CHAPTER XVI . THE SMALL INTERVAL AND GRADATION ...
Pagina 28
... great many different ways of effecting this recom- position ; one of the most beautiful was contrived several. FIG . 5. - Recomposition of White Light . FIG . 6. - Mode of mixing White Light with. 28 MODERN CHROMATICS .
... great many different ways of effecting this recom- position ; one of the most beautiful was contrived several. FIG . 5. - Recomposition of White Light . FIG . 6. - Mode of mixing White Light with. 28 MODERN CHROMATICS .
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.