Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina 11
... all directions . It hence follows that pol- ished surfaces , when they reflect light , present appearances totally unlike those furnished by surfaces which , though smooth 2 THE REFLECTION AND TRANSMISSION OF LIGHT . 11.
... all directions . It hence follows that pol- ished surfaces , when they reflect light , present appearances totally unlike those furnished by surfaces which , though smooth 2 THE REFLECTION AND TRANSMISSION OF LIGHT . 11.
Pagina 14
... follows that Nature and the painter actually employ , in the end , exactly the same means in acting on the eye of the beholder . This point , seemingly so trite , is touched upon , as an idea seems to prevail in the minds of many per ...
... follows that Nature and the painter actually employ , in the end , exactly the same means in acting on the eye of the beholder . This point , seemingly so trite , is touched upon , as an idea seems to prevail in the minds of many per ...
Pagina 15
... follows that , in most cases , two masses of light reach the eye : one , which has been superficially reflected with unchanged colour ; and another , which , being reflected only after penetration , is modified in tint . Many beautiful ...
... follows that , in most cases , two masses of light reach the eye : one , which has been superficially reflected with unchanged colour ; and another , which , being reflected only after penetration , is modified in tint . Many beautiful ...
Pagina 16
... follows that the worker on glass has at his disposal a much more extensive scale of light and shade than the painter in oils or water - colours . Owing to this fact it is possible to produce on glass , paintings which , in range of ...
... follows that the worker on glass has at his disposal a much more extensive scale of light and shade than the painter in oils or water - colours . Owing to this fact it is possible to produce on glass , paintings which , in range of ...
Pagina 19
... follows a full blue , not nearly so bright as the green , nor so striking ; this blue changes slowly into a violet ... follow the example of Newton , by making a small , narrow aperture in our cardboard , and use it then as a screen to ...
... follows a full blue , not nearly so bright as the green , nor so striking ; this blue changes slowly into a violet ... follow the example of Newton , by making a small , narrow aperture in our cardboard , and use it then as a screen to ...
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.