Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina 13
... distance from it , is not seen in the reflected picture at all , light from it either not reaching the water , or reaching the water and not being reflected to the eye of the observer . Polished surfaces , as we have seen , reflect ...
... distance from it , is not seen in the reflected picture at all , light from it either not reaching the water , or reaching the water and not being reflected to the eye of the observer . Polished surfaces , as we have seen , reflect ...
Pagina 16
... distance into his pigments . The glass - stainer and glass - painter make use of the principle of the direct transmission of light for the display of their designs . Now , as painted or stained glass trans- mits enormously more light ...
... distance into his pigments . The glass - stainer and glass - painter make use of the principle of the direct transmission of light for the display of their designs . Now , as painted or stained glass trans- mits enormously more light ...
Pagina 19
... distance from them . As we pass on , the ten- dency to green becomes more decided , until finally a full green hue is reached . This colour is still pretty bright , FIG . 2. - Mode of isolating a Single Colour of the Prismatic Spectrum ...
... distance from them . As we pass on , the ten- dency to green becomes more decided , until finally a full green hue is reached . This colour is still pretty bright , FIG . 2. - Mode of isolating a Single Colour of the Prismatic Spectrum ...
Pagina 44
... distance of the prism from the plate FIG . 11. - Simple Polarizing Apparatus . of glass is ten inches ; the lens is removable at pleasure , the Nicol's prism is capable of revolving around its longer axis . If , now , light from a white ...
... distance of the prism from the plate FIG . 11. - Simple Polarizing Apparatus . of glass is ten inches ; the lens is removable at pleasure , the Nicol's prism is capable of revolving around its longer axis . If , now , light from a white ...
Pagina 59
... distance from the horizon , the yel- low colour which accompanies the transmission of light through an opalescent medium is not much noticed ; but , as the sun sinks lower , its rays traverse an always increasing thickness of the ...
... distance from the horizon , the yel- low colour which accompanies the transmission of light through an opalescent medium is not much noticed ; but , as the sun sinks lower , its rays traverse an always increasing thickness of the ...
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.