Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina
... CONTRAST , 235 CHAPTER XVI . THE SMALL INTerval and Gradation , . 273 CHAPTER XVII . COMBINATIONS OF COLOURS IN PAIRS AND TRIADS , 286 CHAPTER XVIII . PAINTING AND DECORATION , • NOTE ON TWO RECENT THEORIES OF COLOUR , INDEX , • 305 324 ...
... CONTRAST , 235 CHAPTER XVI . THE SMALL INTerval and Gradation , . 273 CHAPTER XVII . COMBINATIONS OF COLOURS IN PAIRS AND TRIADS , 286 CHAPTER XVIII . PAINTING AND DECORATION , • NOTE ON TWO RECENT THEORIES OF COLOUR , INDEX , • 305 324 ...
Pagina 8
... CONTRAST , 235 CHAPTER XVI . THE SMALL INTERVAL AND GRADATION , 273 • CHAPTER XVII . COMBINATIONS OF COLOURS IN PAIRS AND TRIADS , 286 ፡ CHAPTER XVIII . PAINTING AND Decoration , • NOTE ON TWO RECENT THEORIES OF COLOUR , INDEX , • 305 ...
... CONTRAST , 235 CHAPTER XVI . THE SMALL INTERVAL AND GRADATION , 273 • CHAPTER XVII . COMBINATIONS OF COLOURS IN PAIRS AND TRIADS , 286 ፡ CHAPTER XVIII . PAINTING AND Decoration , • NOTE ON TWO RECENT THEORIES OF COLOUR , INDEX , • 305 ...
Pagina 23
... contrast avoided . The figures given in the two latter tables are the mean of from fifteen to twenty observations . The hues of the spec- tral colours change very considerably with their luminosity ; hence for these experiments an ...
... contrast avoided . The figures given in the two latter tables are the mean of from fifteen to twenty observations . The hues of the spec- tral colours change very considerably with their luminosity ; hence for these experiments an ...
Pagina 45
... contrast with the other masses of colour . There is no noticeable attempt at chromatic composition , except per- haps a little along fractured edges , where we frequently meet with pale grey or white deepening into a fox - coloured ...
... contrast with the other masses of colour . There is no noticeable attempt at chromatic composition , except per- haps a little along fractured edges , where we frequently meet with pale grey or white deepening into a fox - coloured ...
Pagina 52
... contrast with emerald hues each change of the position of the eye or of the direction of the light gives rise to a new and startling effect . In other cases broad fields of colour , with much gentle gradation and mingling of tender ...
... contrast with emerald hues each change of the position of the eye or of the direction of the light gives rise to a new and startling effect . In other cases broad fields of colour , with much gentle gradation and mingling of tender ...
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.