Students' Text-book of Color: Or, Modern Chromatics, with Applications to Art and IndustryD. Appleton, 1903 - 329 pagini |
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Pagina 156
... complement , blue , appeared white , or rather pure grey . On the same occasion disks painted with chrome - yellow were examined : two of them were rendered somewhat orange - yellow ; the third was brought to almost a full orange hue by ...
... complement , blue , appeared white , or rather pure grey . On the same occasion disks painted with chrome - yellow were examined : two of them were rendered somewhat orange - yellow ; the third was brought to almost a full orange hue by ...
Pagina 163
... complement of vermilion is a very green blue , and even the complement of carmine is a very green blue rather than a blue - green . Yellow . Greenish - yellow ... Green . Ultramarine -. TABLE OF COMPLEMENTARY COLOURS . * For an account ...
... complement of vermilion is a very green blue , and even the complement of carmine is a very green blue rather than a blue - green . Yellow . Greenish - yellow ... Green . Ultramarine -. TABLE OF COMPLEMENTARY COLOURS . * For an account ...
Pagina 164
... complements lying between greenish - blue and cyan - blue ; those between orange and yellow , again , will find ... complement of genuine ultramarine - blue is yellow , that of arti- ficial ultramarine being a greenish - yellow ...
... complements lying between greenish - blue and cyan - blue ; those between orange and yellow , again , will find ... complement of genuine ultramarine - blue is yellow , that of arti- ficial ultramarine being a greenish - yellow ...
Pagina 165
... complement green - blue have about the same luminosities ; orange is somewhat brighter to the eye than its complement cyan - blue . There is another way of stating these facts : we can say that in mixtures violet has a greater power of ...
... complement green - blue have about the same luminosities ; orange is somewhat brighter to the eye than its complement cyan - blue . There is another way of stating these facts : we can say that in mixtures violet has a greater power of ...
Pagina 166
... complement of a dull reddish - brown . The red - brown square is placed on the black paper ; beside it we lay a piece painted with a dull bluish - green grey , and arrange matters so that an image of the red - brown paper falls on one ...
... complement of a dull reddish - brown . The red - brown square is placed on the black paper ; beside it we lay a piece painted with a dull bluish - green grey , and arrange matters so that an image of the red - brown paper falls on one ...
Alte ediții - Afișează-le pe toate
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1895 |
Students' Text-book of Color; Or, Modern Chromatics: With Applications to ... Ogden Nicholas Rood Vizualizare completă - 1899 |
Students' Text-book of Color: Or, Modern Chromatics, with Applications to ... Ogden Nicholas Rood Vizualizare completă - 1913 |
Termeni și expresii frecvente
appear arranged artists beautiful blue-green bluish bluish-green bright brilliant brown carmine cause changes CHAPTER chromatic circle chromatic composition chrome-yellow colour-blind coloured light coloured surfaces combinations complementary colours contrast cyan-blue dark darkened emerald-green employed experiment fact fixed lines fundamental colours furnished gamboge gives gradation green and violet green light green-blue greenish greenish-blue greenish-yellow Helmholtz hence illumination Illustrations indicated in Fig intensity kind less light and shade luminosity luminous Maxwell ment mingled mixed mixture nature normal eye normal spectrum objects observer obtained ochre optic nerve orange orange-red orange-yellow painted pale pigments placed plate portion position present prism Professor Prussian-blue pure colours pure grey purple rays reach the eye red and green red lead red light reflected light result retina rotation saturated sensation stained glass theory of colour tints tion transmitted ultramarine ultramarine-blue uranium glass vermilion violet nerves violet-blue water-colour wave-length white light white paper yellowish yellowish-green
Pasaje populare
Pagina 246 - ... just what curvature is to lines, both being felt to be beautiful by the pure instinct of every human mind, and both, considered as types, expressing the law of gradual change and progress in the human soul itself.